Jonathan Kiefer

Cinefamily's Series on the Documentaries of Shohei Imamura

The late Japanese New Wave mainstay Shôhei Imamura said he liked his movies messy, which usually meant seeing through civilized falsities to what was humanly true. At least once it meant the truth itself needed seeing through. Fiction twice earned him top honors at Cannes, but he also made one......
LA Weekly