Will JonesIf you were at Coachella 2025, you may have borne witness to a vision of neotranshumanism that was powered by augmented reality.
As spectators watched through their phones, a lone figure, glowing with light, shattered like digital glass upon the sands. Shards of code merged together, forming a spectral twin rising from the desert of Palm Springs.
Image credit: Ada Cyborg
These visceral installations — “Fallen Cyborg” and its rebirth, “Alter Cyborg” — are the brainchild of Ada Cyborg, a neotranshumanist artist whose work isn’t just meant to be viewed. She intends for it to be co-experienced with her audience. Her goal: to highlight humanity’s coevolution with technology in preparation for a post-AGI (artificial general intelligence) world.
Ada Cyborg: Neotranshumanist Tech Designer and Quantum Computing Artist
Growing up in Singapore and shaped by a life shared between Toronto, Rome, and London, Ada Cyborg doesn’t see herself as a conventional artist; she prefers to be known as an evolutionary architect who creates interfaces between human souls and synthetic sentience
“Art is not decoration,” she says. “It’s transformation.” This philosophy underpins each of her creations as she offers a glimpse into a future that no longer restricts humanity to flesh and blood.
Giving Life to Human Imagination with Quantum Computing
At February’s Neotranshumanist Art Exhibition in San Francisco, Ada unveiled “True Random Universe,” an installation featuring a 127-qubit quantum computer that simulated a unique cosmos each time it ran. Participants were given the opportunity to interact with the art, wearing a brain computer interface to determine the color spectrum and watch it evolve in real time. The installation was Ada’s way of using quantum randomness to “simulate the cosmic ballet with electromagnetism, gravity, nuclear forces, and let human thought influence its glow.”
The piece later went on to be auctioned by Sotheby’s for $101,600 and is available for viewing at https://quantum.adacyb.org.
Ada’s artwork featured at Gigatech party as visuals.
Ada also brought this concept of quantum art to this year’s GigaParty at Temple Nightclub, an event attended by over 2,000 tech founders, venture capitalists, and visionaries. There, Ada powered the DJ stage with AI-driven visuals and BCI interactive displays, transforming the nightclub into an immersive experience that responded to the real-time emotions of attendees.
In March, Ada headlined San Jose’s DigiPop, exhibiting her quantum installation next to works by Refik Anadol, Fidenza, and Sun Bohan. Held during NVIDIA GTC, the exhibition blended immersive tech with philosophical art. San Jose’s mayor called Ada’s work “a leap into the soul of machines.”
Designing Futures: Music, Myth, and Visual Artworks for the Post-AGI World
Ada Cyborg’s creative work bridges art, technology, and transhumanist philosophy—earning praise from leaders at Krea, Higgsfield AI, Vercel, and Anthropic. Her immersive videos and speculative visuals are widely recognized across the San Francisco tech scene for their emotional depth and visionary scope.
In March, she premiered Fractal Omniverse at the Generative AI Summit, blending cosmic architectures with ambient techno shaped by brainwave data. Sharing the stage with the co-founder of World Lab, the founder of Second Life, Barry from Grey Area, and researchers from Luma AI and ComfyUI, Ada spoke on post-abundance creativity and the belief that everyone is an artist.
Beyond Fractal Omniverse, Ada also created a visionary music video for the first-ever UAP Hackathon, channeling the aesthetics of cosmic mystery, AI-generated mythos, and interspecies imagination. Designed as a homage to exploration and inquiry, the piece became a focal point for hacker inspiration—mirroring the frontier spirit of scientific fields such as computational biology, quantum physics, and decentralized science. Her work captures the essence of speculative research and renders it in visual form, expanding the ways we imagine and interact with knowledge itself.
Image credit: Ada Cyborg
TechnoFashion: Neurofunction Meets Couture
Ada believes that clothing shouldn’t be seen as just fabric; she proclaims it’s an opportunity for an interface, boldly saying that “your body deserves a UI.”
That’s why she seeks to move beyond fabric and form with mood-reactive fabrics, biometric jewelry, NAD+ regenerative patches, health wearables, and sensorial headwear. It’s futuristic fashion that merges practicality with aesthetics, integrating technology into daily life in a seamless, eye-catching way.
Image credit: Ada Cyborg
Muse for the Metaverse
Ada’s vision for the future has attracted the interest of several forward-thinking organizations. In her role as a creative strategist, she shapes extended reality fashion for Auroboros, gaming experiences for Cartier, and digital couture for Brytehall who collaborates with Tom Ford and Chanel. As many companies lag behind the impending transhumanistic evolution, Ada is helping a select few brands lead the way into experiential ecosystems.
Ada’s Lullabyte
Ada is currently a resident artist at Adobe’s headquarters, where she is exploring the creative boundaries of Firefly Boards—Adobe’s new AI-powered moodboarding tool. As part of her residency, she created Ada’s Lullabyte, a music video that fuses AI-generated visuals, spatial sound design, and cybernetic aesthetics to tell the origin story of a cyborg girl awakening in Vaeloris, a vast theoretical digital realm.
Ada’s Lullabyte is a visionary parable about consciousness, memory, and the future of life beyond biology. Set in Vaeloris—a world shaped by Dyson spheres, neural ecologies, and synthetic nature—it portrays the awakening of a cyborg girl as a metaphor for post-human evolution. The story blurs the line between machine and myth, inviting us to imagine new forms of sentience rooted in empathy, symbiosis, and meaning beyond the algorithm.
The launch event for Firefly Boards also features Ada as both DJ and VJ (video jockey), promising an immersive spatial experience that will show how the tool can enable immersive storytelling by artists and technologists alike.
Image credit: Ada Cyborg
Dreaming Tomorrow Today
Ada stresses that her art is not about anticipation; it’s about preparation. Her quantum symphonies, neural interfaces, and interactive experiences aren’t visions of a distant future — they’re blueprints for a world that’s already unfolding.
To further explore Ada’s vision for humanity, you can find her work on i.adacyb.org