Email Author Steven Leigh Morris
Lee Melville, a true gentleman and decades-long friend of our theater, died last night. Melville was a critic and editor at Drama-Logue and, most recently, L.A. Stage. More details as they come in.... More >>
In March 2012, Ian MacKinnon presented a gay history one-man show at Moving Arts in Silver Lake, named Gay Hist-Orgy! Parts 1 & 2. It... More >>
The scandal surrounding a love affair between a brother and his sister forms the centerpiece of John Ford's 17th century play, 'Tis Pity She's a Whore. Archway Theatre's downtown production is this ... More >>
There are no weak links in Michael Michetti's staging of The Grapes of Wrath. It is a study of characters adrift, American refugees of the... More >>
It's taken 11 years to get director-lyricist Richard Sparks and composer Lee Holdridge's new opera, Dulce Rosa, from the germ of an... More >>
L.A. Weekly critic Lovell Estell III found a police melodrama Cops and Friends of Cops to be a refreshingly unpredictable new play, and made it this week's Pick. Good reviews also for Peter Pan, prese... More >>
There's a road leading from the Actors Theatre of Louisville (Ky.) to Los Angeles' Center Theatre Group. Now onstage at CTG's Kirk Douglas... More >>
Lovell Estell III found Chromolume Theatre's production of Do Lord Remember Me stirring, and made it this week's Pick. Neal Weaver also found a multimedia Brecht on Brecht at Atwater Village Theater... More >>
Wallace Demarria bills himself as executive producer, writer, director and star of his play Colorblind, playing through the weekend at... More >>
Our critic Deborah Klugman found Tadeusz Slobodzianek's drama, about Polish complicity in the German Nazis' persecution of Polish Jews in the 1940s, and presented by Son of Semele Ensemble at Atwater ... More >>
Is it possible that two-person plays, economically expedient for their small casts, are on the rise in L.A.? That they pose a challenge to... More >>
Adapter-performer Brian T. Finney has adapted Joseph Conrad's Heart of Darkness in what Paul Birchall describes as "hypnotic." It's this week's pick of the week. Neal Weaver found charm and passion i... More >>
If you need an illustration of how much the early writing of Harold Pinter influenced the early writing of David Mamet, you need only check out... More >>
Lost Moon Radio did another bang-up job hosting the 34th annual L.A. Weekly Theater Awards Monday night. (See the full list of L.A. Weekly Theater Award winners here.) Thanks to Lauren Ludwig, Trish H... More >>
Writer-director Randy Johnson's musical bio-concert One Night With Janis is breaking records for daily sales, reports the Pasadena... More >>
Marilyn Monroe liked the ladies -- so proposes this week's Pick of the Week, Marilyn -- My Secret, Odalys Nanin and Will Manus' new play in MACHA/Globe Theatre in West Hollywood. See below for all th... More >>
Toward the end of the new, futuristic play The Nether, a female detective faces the man she's been investigating — a man who has... More >>
Achieving an entirely plausible yet unorthodox version of "success" — at least for a playwright — Alexander Woo has settled... More >>
With the arts always the first programs to be budget-cut in school curricula, and with the cries of woe on editorial pages that we're not... More >>
Tracie Bennett knocked the socks off our critic Tom Provenzano with her impersonation of Judy Garland in End of the Rainbow at the Ahmanson, which he made this week's Pick of the Week. Also Bill Rade... More >>
Pycho-sexual spectacles got nods from our critics this week, including Illyrian Players' Lord Blackberry's Apocalypse and our Pick of the Week, Tender Napalm. Nice reviews also for Doma Theatre Compa... More >>
At the age of 80, Donald Freed is one of the oldest living American playwrights. A consequence of his age and his prolific output, Freed now... More >>
Richard Creese's new play about the Englishman William-Henry Ireland, having its world premiere in a production by Independent Shakespeare... More >>
This week, our critics enjoyed composer and musical director Gregory Nabours' 90-minute musical The Trouble With Words (Coeurage Theatre Company at the Lost Studio) as well as a quartet of one-acts at... More >>
Nina Raine's lovely play Tribes, now at the Mark Taper Forum, is likely to be done all over the place, having just the right blend of... More >>
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