About
Contact
E-Edition
- 2026
- 2025
- 2024
- 2023
- 2022
- 2021
- 2020
- 2019
- 2018
- 2017
- 2016

Search

News
Food
Music
Entertainment
— Film
— TV
Arts
Culture
Cannabis
About
E-Edition
- 2026
- 2025
- 2024
- 2023
- 2022
- 2021
- 2020
Pick Us Up
Contact

Food
Food
See all
Music
Music
See all
- Kenyon Dixon Puts Ego in its Place on ‘EGO RUINS EVERYTHING’
  July 24, 2026
- Behind the Scenes with Levity: Bass Music’s Fastest Rising Trio — and Biggest Fans
  July 17, 2026
- BLXST Puts in the Work on ‘Labor of Love’
  July 3, 2026
Entertainment
Entertainment
See all
Arts
Arts
See all
- The Historic St. Vincent Medical Center Of LA Lives On As The Hospital Of Emotions
  July 10, 2026
- Art News: Parallel Practices, Plus California Light and Space
  July 3, 2026
- Art News: Erotic Terrains, A Human Atlas For LA And Unseen Hollywood History
  June 19, 2026
Culture
Culture
See all
Cannabis
Cannabis
See all
- SpacePoppers: The Power Duo Popping A New Era of Snackable Edibles
  July 14, 2026
- From Cannabis Pioneer to Mushroom Mogul: How Justin Hartfield is Mapping the Future of Wellness with ShrooMap
  May 1, 2026
- From Farm to Door: How Legal THCA Flower Delivery Works
  April 21, 2026

Occupying Bank of America in Downtown L.A.; Credit: @SEIU721

Occupying Bank of America in Downtown L.A.; Credit: @SEIU721

Occupy L.A. Occupies Bank of America Downtown

Dennis RomeroNovember 9, 2011

Nuff said. Background here.

Featured Local Savings

SUBSCRIBE TO OUR NEWSLETTERS

* indicates required

First Name *

Last Name *

Email Address *

LA Weekly Email Lists

What's Happening This Week
Food + Drink
Music
Arts
Entertainment
Events
Cannabis

Latest Articles

Kenyon Dixon Puts Ego in its Place on ‘EGO RUINS EVERYTHING’

July 24, 2026

An Unrecognizable Johnny Depp Surprises Fans At Comic-Con

July 24, 2026

Grandmaster Recorders Reopens (sort of) And goodboybob at Deus Ex Machina – Here’s What’s Popping Up

July 23, 2026

Photos: BelicoFest Celebrates Música Mexicana’s Rise with Los Angeles Debut at BMO Stadium

July 23, 2026

>

Search LA Weekly

laweekly

LAWeekly Instagram: Featuring the culture of LA since 1978 ✌️

By the time Kenyon Dixon arrived at “EGO RUINS EVE

By the time Kenyon Dixon arrived at “EGO RUINS EVERYTHING,” his new album out today, July 24, he had already built the kind of resume that could justify a victory lap. The Los Angeles singer-songwriter had quietly become one of contemporary R&B’s most respected craftsmen, earning five Grammy nominations. Yet when it came time to make his latest album, Dixon found himself looking inward instead of celebrating outward. “EGO RUINS EVERYTHING is a concept album that’s kind of just a journey through ego and learning how to deal with it,” Dixon tells LA Weekly. “It came from a retrospective place — looking at decisions I made, experiences I’ve had and things I’ve seen other people go through.” Loaded with earworms and built without guest features, the album unfolds like a film, following a protagonist learning to confront his ego before finding redemption in the closing moments. At the heart of the project is an artist who has built his career independently, staying true to his purpose while continuing to evolve. @kennygotsoul Read the interview and see the gallery thru @laweekly ✍️ @boyface_
📸 Gordon Price @gordanprice

BelicoFest made its Los Angeles debut at BMO Stadi

BelicoFest made its Los Angeles debut at BMO Stadium on July 12, drawing more than 17,500 fans for a day dedicated to the continued rise of música mexicana. Headlined by Tito Double P, the festival brought together established stars and emerging artists, with performances from Gerardo Ortiz, Santa Fe Klan, Régulo Caro, Chuyin, Snow Tha Product, Clave Especial and OhGeesy. @belicofest See the gallery and recap thru @laweekly ✍️ @boyface_
📸 Courtesy of The Poolside Agency

Levity has rapidly become one of the hottest acts

Levity has rapidly become one of the hottest acts in bass music. We caught up with members John Hauldren and PJ Carberry backstage before and after their B2B set with ALLEYCVT at Zombie Apocalypse Music Festival in Long Beach, where they reflected on their astronomical rise from fans in the crowd to artists headlining the festival stages they once dreamed of playing. “This music changed our lives,” John says. “It changed who we are as people.” The group also opened up about the inspiration behind the next chapter of “Escapism,” staying grounded through sold-out tours and major festival sets, and the advice they’d give aspiring producers chasing their own breakthrough. “The only thing that can stop you is yourself. Really.” @levity.music Read the interview and see the photo gallery thru @laweekly ✍️📸
@carochangcreative
@c_a_r___o Cover photo from Electric Forest 2026, courtesy of Shutterfinger

More than 45 years after “The Evil Dead“ changed h

More than 45 years after “The Evil Dead“ changed horror forever, the franchise is still alive and well. This time, the torch has been passed to French filmmaker Sébastien Vaniček, whose “Infested“ caught Sam Raimi's eye and led him to direct “Evil Dead Burn.“ Ahead of the film's release tomorrow, July 10, Vaniček tells us about how he stepped into one of horror's most beloved franchises, balancing relentless brutality with humor, the series' famously chaotic lore, and his battle with the MPAA over the film's violence. “When you start to work in this universe, you are like, ‘Okay, so what are the rules?’ It's like, there are no rules,” Vaniček says with a laugh. @sebvanicek
@evildead
@warnerbros
@warnerbroshorror
@newlinecinema Read the interview and see the photos thru @laweekly ✍️ @gilmaciashq 📸
BTS: Matt Klitscher @nzfilmstills
Stills courtesy of Warner Bros. Pictures

Follow on Instagram

Pick Us Up
Contact
Policies

COPYRIGHT LA WEEKLY

We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.