Scott Foundas

"This is the West, sir. When the legend becomes fact, print the legend." So goes the adage from John Ford's 1962 classic The Man Who Shot Liberty Valance, and so it has gone for Heaven's Gate, the class-war Western written and directed by one of Ford's truest disciples among contemporary......

The Max of Claude Sautet's 1971 Max and the Junkmen (Max et les Ferrailleurs) is a Paris detective in charcoal topcoat and matching fedora, hovering like an angel of death on the periphery of a criminal underworld whose prize catches keep slipping through his fingers. A former judge who quit......

'Just so you know, it's going to take a while," says the CIA officer to his newly arrived colleague at the start of Kathryn Bigelow's Zero Dark Thirty. The year is 2003, the place a secret prison (or "black site") somewhere in the deserts of the Middle East or Asia,......

Watching Django Unchained, it's easy to imagine that Quentin Tarantino had such a blast making his last picture, the ebullient Holocaust fantasia Inglourious Basterds, that he decided to take his whole blood-spattered historical tent show on the road, this time putting down stakes in antebellum Dixieland. Although not technically a......

You can hear the people sing — really hear them — in the long-gestating screen version of that Broadway juggernaut Les Misérables. Countering the standard practice of having the actors in a film musical lip-synch their songs to prerecorded tracks (aka "playback"), director Tom Hooper (The King's Speech) insisted that......