Phillip K. Smith III’s light-based public sculptures draw on elements of the Light and Space art movement, and on aspects of reflection, color, light and shadow...
The immersive film Malka Germania (“Queen Germania” in Hebrew) references our personal and collective trauma about war and subjugation and artfully turns that t...
Mark Hilbert, co-founder with his wife, Jan, of the Hilbert Museum of California Art on the Chapman University campus in Orange, tells the Weekly that when he v...
The mystique of the Laurel Canyon music scene (1965 to 1975) is pervasive to many of us, as its talented residents inspired each other to create songs like “Cal...
Do monsters in our imaginations and in the real world generate depictions of monsters in art, ultimately producing work of exceptional creativity? Robert Willia...
The Beall Center’s Ian Ingram exhibition explores what the eponymous artist refers to as “animal morphology, robotic avatars, interspecies communication and tec...
A magnificent 26-foot-wide mural adorns Laguna Art Museum’s exhibition of work by 20th-century artist Jesse Arms Botke. Her “Untitled Mural From The East Wall,”...
Two complementary exhibitions, Revolution Everywhere and The Messiah Triangle at UC Irvine galleries delve into the disorientation, sense of impending doom and ...
Henrietta Berk rejoiced in combining figurative, abstract, expressionist and fauvist influences in her paintings. Working from her Oakland, California studio in...
Entering The Resonant Surface at Irvine’s Institute and Museum of California Art feels like walking into an exotic world, perhaps one from another time. The vie...
