Christopher Miles

Antonio Adriano Puleo

Antonio Adriano Puleo at Cherry and Martin

With titles like Church, Follow The Light and They Know Why They’re There, Antonio Adriano Puleo seems to suggest that his latest paintings and sculptures deal in a relationship with spirituality, which is both searching and sardonic. But the titles only reiterate, in a play of specificity and vagueness, what......
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Yayoi Kusama at Gagosian Gallery

A memorable 1968 photo shows Japanese artist Yayoi Kusama ringmastering a troupe of masked, naked, polka dot–painted revelers in New York’s Central Park surrounding José de Creeft’s 1959 Alice in Wonderland bronze sculpture, which, in larger-than-life scale, and in a style reminiscent of John Tenniel’s illustrations for the first edition......
Monique van Genderen

Monique van Genderen at the Happy Lion

Monique van Genderen’s latest paintings are both easy and hard to look at. Easy for that part of you who knows yourself as a complicated being and knows of existence as a moody and multifaceted endeavor. Looking at van Genderen’s paintings, you feel like you’ve just met a group of......
Jim Isermann

Jim Isermann at Richard Telles Fine Art

Based upon the geometric system of one of his recent vacuum-formed wall installations, Jim Isermann’s new works in acrylic latex on canvas are from the first body of paintings the Palm Springs–based artist has produced in 20 years, as his interests in overlaps between art and design, form and function,......
Matt Lipps

Living History II: Asad Faulwell & Matt Lipps at Marc Selwyn Fine Art

In this odd pairing, one finds a lesson in how artists make use of the permissions and precedents opened up by prior groups or movements. Asad Faulwell’s intricate mixed-media works, which intertwine digitally manipulated photographs of historical figures from the Middle East among floral and geometric patterning reminiscent of that......
Sept 16 (2008)

Kim McCarty at Kim Light Gallery

Everything you see in a Kim McCarty painting is the result, literally, of things having settled out — things in this case being particles of pigment that, as the results of fluid dynamics, deposit dispersals, puddles and halos of color as McCarty paints “wet-in-wet” with watercolors on soaked paper. Once......