On the title track of his seventh album, Manipulator, Ty Segall takes the punk fuzz guitars and garage-rock keyboards of his early days and braids them together into a newly psychedelic swarm of sounds, his ethereal voice riding coolly above it all. By the very next track, “Tall Man Skinny Lady,” his disembodied vocals float over a similarly psychedelic stew of squealing lead guitars — a deliciously weird contrast. Elements of glitter rock ram into more primitive strains of garage, broken up occasionally by trippy ballads such as “The Singer,” on which Segall's hazy lyrics are filled out with an unexpected string section. Newly relocated to L.A., the prolific performer usually dashes off albums in a couple of days, but he reportedly spent a full month recording Manipulator with producer Chris Woodhouse. Also Saturday, Aug. 30, and Sunday, Aug. 31.
Fri., Aug. 29, 8 p.m., 2014
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