The idea of an almost entirely improvised rock opera based on a presidential campaign stuffs the ballot box with possibilities, but the final tally hangs like a dangling chad on the performers’ satirical wit, and their ability to locate a political edge. With the general concept that the Devil is running our political show, and candidates’ relatives, with their sundry addictions and improprieties, can drive a campaign manager to drink, the comedy on the night I attended was both obvious and blunt, when surprise and sharpness were called for. Director Joseph Limbaugh appears here as a somewhat lumbering Devil/satyr (with perky assistant Karina Bustillos, in horns) in order to set up each scene for the actors/characters who happen to be present. Musical director Susan Peahl did a first-rate job modulating composer Jonathan Green’s and Brian Lohman's opening and closing chorals, beautifully sung a cappella by the ensemble. The scenarios include the PR nightmare for Liberty Party campaign manager Molly Hatchet (Kimberly Lewis) — representing candidate Senator Scott Turner (Brian Lohmann, who had somewhere else to be, and didn’t appear onstage that night). Turner’s son, Beverly (Barry O’Neil), is lead singer of the band Involuntary Ragnarock, and has impregnated his girlfriend — as musicians tend to do — and Hatchet was grasping for strategies of containment. Robert Covarrubias has a nice turn as stern Special Agent Gregory Eagleson (who has a soft side), while Alexis Kraus and Diana Costa put in respective appearances as the drug-induced visions of Sacajawea and Susan B. Anthony. Stage presence so frequently fell victim to the the ad hoc essence of improv, I found myself wishing that this American apple-pie filling was more tart, or that somebody would write a script for these guys.
Fridays, 9 p.m. Starts: Sept. 5. Continues through Nov. 14, 2008
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