Bring Her Back, the sophomore effort of sibling filmmaking team Danny and Michael Philippou, is hand-me-down schlock put across with a fair level of panache. It...
Henry Johnson is David Mamet’s first theatrical feature in 18 years. The Pulitzer-winning playwright-turned-filmmaker has since been an outspoken proponent of w...
Alain Guiraudie’s Misericordia is a well-chilled thriller in the Gallic style. Its closest cousins include Dominik Moll’s With a Friend Like Harry (2000), Cedri...
Black Bag is the second Steven Soderbergh movie to arrive within two months, and while it isn’t as ingenious in conception and execution as Presence — his ghost...
The Gorge is the first good date movie of 2025, a far-fetched but resiliently entertaining shotgun marriage of two distinct yet equally bankable genres: the lon...
After two period dramas in a row, English director Mike Leigh returns to his favorite milieu, present-day London, for Hard Truths, another vividly etched charac...
Giant bug movies have been a sci-fi mainstay since the 1950s (ants in 1954’s Them, a spider in 1955’s Tarantula), when a paranoid public projected its nuclear a...
It’s a shrewd move to release Conclave, a slick drama about the election of a pope, less than two weeks before the most contentious U.S. election in recent mem...
Ronald Reagan deserves his own movie. While his popularity waxed and waned over the course of his two terms, even his staunchest critics can’t deny his decisive...
Horizon: An American Saga – Chapter 1 ends with a trailer. Or, more precisely, it concludes with a series of vignettes that gives the audience a “preview of com...
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