Chris Packham

Frankenweenie Review: The Tim Burton You Like Is Back

It's alive! again! Ever since Mars Attacks!, Tim Burton has mostly been in the adaptation business, rendering dark and becurlicued Sleepy Hollows, Alice in Wonderlands and Charlie and the Chocolate Factorys. With Frankenweenie, he adapts his own work — the first animated short he ever produced for a major film......
Lizzy Caplan

Bachelorette Review: You May Kiss the Bride's Ass

Weddings make such bitchin' film scenarios because the stakes are believably high: If anything goes wrong, social opprobrium, the loss of your beloved or both can ensue, right in front of your disdainful parents, the clergy and probably Vince Vaughn or somebody. Directors have placed every obvious symbol of holy......
The Amazing Spider-Man

The Amazing Spider-Man Review: The Spider Becomes a Man — and a Joy

The Amazing Spider-Man, an inexcusably good reboot-thing from director Marc Webb, celebrates the heartwarming arachno-genetic bar mitzvah in which a boy becomes a spider, and a spider becomes a man, a rite of passage last observed in Sam Raimi’s uneven but often pretty great trilogy in the aughts. There’s definitely......
Alessandro Tiberi

To Rome With Love Review

In Woody Allen's new film, To Rome With Love, people — like, really young people — still talk, improbably, about "neuroses." Horny, middle-aged businessmen actually stand around the water cooler and ogle the hot secretary, as in the Playboy cartoons of the ancients. In the Allen Legendarium, Freudian psychiatrists never......