Andrew Berardini

The storefront is unmarked. Thick, white, metal grates hang from the windows. Tonight, just past midnight on a Tuesday, a crowd lingers out front, seemingly uninterested in the choice of Mexican restaurants doubled up on one side or the closed coin-op laundry flanking the other. Cracked and stained and wearing......

On March 4, Piero Golia announced the date and title of his first solo exhibition in Los Angeles on Facebook after 10 years of living here and scores of exhibitions almost everywhere but L.A. "Concrete Cakes and Constellation Paintings, Los Angeles, June 23, 2011," he wrote. The first commenter noted......

To make a landscape is to tame nature. We think of it as a picture of the land, painted or photographed, carefully framed on four sides, more or less flaccidly hanging on the wall. Landscapes were appreciated first by Renaissance bourgeois ramblers and open-air painters as scenery, as they were......

Permanent-collection exhibitions at museums tend toward either filler or fodder. Filler — and our financially dissolute Museum of Contemporary Art suffered through more than a year of it — is a cheap way to fill gallery space by emptying out the warehouses. Or they're fodder, perhaps to satiate benefactors, but hopefully......