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On the final night of the Pacific Standard Time festival, experimental music collective Society for the Activation of Social Space Through Art and Soundcalls (SASSAS) will create a museum called the Welcome Inn Time Machine. The rooms of a homely motel in Eagle Rock will be transformed into what SASSAS curator Cindy Bernard calls “galaxies of work” — spaces that visually and sonically evoke the landmark music of the PST era. You might catch an all-star fusion combo ripping up a late-'50s Ornette Coleman musical score. Wander into another room to subject yourself to the laborious detuning and screeching of a violin, like a performance from conceptual artist Bruce Nauman in 1969. Or call a number to hear Robert Wilhite, locked in a room on the other side of the motel, performing a telephone concert written in 1975.
PST's festival celebrates 40 years of art vanishing without a trace, and what better way to capture that than in an ephemeral hotel fun house? As Bernard notes, “There's all kinds of one-night things that happen in hotels all the time.”

Sun., Jan. 29, 4 p.m., 2012

LA Weekly