Scott Foundas

Intolerable?

It may all come down to how you feel about this one scene, where the gasping, asthmatic hit man known as Wheezy Joe (Irwin Keyes) mistakes his handgun for his inhaler and . . . well, you get the idea. If you find that moment riotous — perhaps even the......

Curiouser and Curiouser

On the night of July 1, 1981, four people — at least three of them drug dealers — were bludgeoned to death (and a fifth nearly so) in a Laurel Canyon cottage on Wonderland Avenue. By the time the blood had dried, circumstantial evidence pointed to John C. Holmes, he......

Master, Old and New

Not infrequently, in the course of the 30-odd films I consumed at this year’s Toronto International Film Festival, I was carried away by that feeling you get in surprising abundance at great film festivals, the realization — after the lights have gone down and images begun to flicker on the......

Catch as Catch Can

Here is a potentially remarkable career taking shape. A sprightly 42 (and looking considerably younger than that), Michael Winterbottom has already directed some two dozen films and telefilms. Not only is Winterbottom very good — in the course of the last year and a half, he has premiered new films......

Second Wind

Around the time of Rushmore — the defining image of which may be the slow, sad dive of Herman J. Blume into that backyard swimming pool — a wave of young, independent-minded filmmakers seemed to catch on to something about Bill Murray. Namely, his special capacity for exalted weariness; those......

More Than This

The man (Bill Murray), somewhere in the neighborhood of 50, presses his drawn face against the car window, the dancing neon of nighttime Tokyo illuminating every wrinkle and crease in his exhausted brow. His name is Bob Harris, and he is an American movie star, come to Japan — as......

One Dances

The dancing is dazzling in director Emilio Martínez-Lázaro’s The Other Side of the Bed, but the movie itself is a dud. When the characters — a quartet of friends tied up in a healthy assortment of romantic entanglements — spontaneously burst into song, their movements are vibrant and sensual, as......

The Good, the Bad, and the God-awful

What precedent, if any, exists for movie directors making public apologies for their work? Vincent Gallo was rumored to have done just that at Cannes this year, in the wake of his contentious The Brown Bunny, before a precise transcript of the interview in question proved otherwise. And long before......

Dangerous Games: Revisiting George Clooney, Chuck Barris, et al.

When you treat movies like Play-Doh, throwing them at movie screens by the fistful and standing by whichever ones happen to stick, something deserving is bound to fall to the ground and get squished by the weight of a paternal shoe, flattened under the impression of its maker’s logo. That......

American Splendors

Outside of Clint Eastwood, no modern film star has remained more stubbornly committed to making Westerns — or had more luck at getting them made — than Kevin Costner. And Costner’s case is all the more remarkable in that he came to the genre in a moviemaking era that had......