Ella Taylor

MacDowell as one of Sex ’s VHS-era voyeurs

Hindsight Hurts: Revisting the Sex, the Lies and the Videotape

On August 11, 1989, I wrote my first film review for L.A. Weekly, as follows: With its whacked-out, wry sensibility, Steven Soderbergh’s first feature and winner of the Best Film and Best Actor awards at Cannes this year seems to promise more than the usual relationship movie. But the film’s......
You talkin' to him?; Credit: Kevin Scanlon

Happy-Go-Lucky: Driver's Eddie

It says a lot for actor Eddie Marsan that by the time we finish our conversation in his agent’s Beverly Hills office, I have a somewhat higher opinion of Mike Leigh’s Happy-Go-Lucky than the one I had going in. Marsan, a palpably nice man with one of those round, ruddy......
Lost on Revolutionary Road; Credit: Francois Duhamel

For Your Reconsideration: The Reader’s Kate Winslet

Critics commonly cite with approval actors who can “disappear” into their characters, but that’s rarely, in the best sense, held true of Kate Winslet. The British actress’ instinctive sensuality drives men crazy, but if her frank carnality is unapologetically contemporary, her body — a violin rather than a twig —......
Celebrated impersonator; Credit: Ralph Nelson

For Your Reconsideration: Frost/Nixon’s Michael Sheen

If you’re younger than 20, you may only know him as the hairy Lycan from the Underworld franchise, but Welsh actor Michael Sheen’s résumé is stuffed with meaty roles as real-life legends of British culture from high to deliciously low. For English television, Sheen has played H.G. Wells; Kenneth Williams,......
Slumdog Millionaire

Best Movies of 2008: Great Expectations

1. Waltz With Bashir If ever there was proof that psychic agonies are not always best represented by realism, it’s Ari Folman’s soulful animated documentary about the deferred torment of former Israeli soldiers, himself included, who witnessed the massacre of Palestinians by Lebanese Christian Phalangists in the Sabra-Shatila refugee camps......
Mr. Bégaudeau’s opus; Credit: Pierre Milon

The Class: To Sir, With Attitude

Compare and contrast Laurent Cantet’s terrific The Class with any of the following schoolroom chestnuts — Mr. Holland’s Opus, Dangerous Minds or To Sir, With Love. Note the structural similarities: misbehaving students, an educator who wants them to succeed, and big thoughts about the classroom as urban microcosm. Discuss the......