New York's Roundabout Theater offers Los Angeles a glorious Christmas present in this spectacular revival of Cole Porter's signature musical comedy, staged in a broad 1930s sophisticated style but with a remarkably contemporary moral take that toys with religion, sex and organized crime. The convoluted story of shipboard romance, penned by Guy Bolton and P.G. Wodehouse and then retooled by Howard Lindsay and Russel Crouse (and again in the 1980s by Timothy Crouse and John Weidman), follows the antics of nightclub singer Reno Sweeney, in a nearly flawless performance by Rachel York — her two literally show-stopping numbers, “Anything Goes” and “Blow Gabriel, Blow!,” earn her the standing ovation she receives in her curtain call. She is equaled in song, dance and over-the-top acting by Erich Bergen as the lovesick Billy, who stows away and will do anything to keep his socialite lady-love, Hope (Alex Finke), from marrying English Lord Evelyn Oakleigh (Edward Staudenmeyer). The cast is filled with genuine professionals who make the musical numbers by Kathleen Marshall flow with effortless joy — her breezy staging of the clever book tells the story with a minimal interruption of the classic Broadway numbers for which the show exists. Ahmanson Theater, 135 N. Grand Ave., dwntwn.; Tues.-Fri., 8 p.m.; Sat., 2 & 8 p.m.; Sun., 1 & 6:30 p.m.; through Jan. 6. (213) 628-2772, centertheatregroup.org.
Tuesdays-Fridays, 8 p.m.; Saturdays, 2 & 8 p.m.; Sundays, 1 & 6:30 p.m. Starts: Nov. 28. Continues through Jan. 6, 2012
Advertising disclosure: We may receive compensation for some of the links in our stories. Thank you for supporting LA Weekly and our advertisers.