The Romanian New Wave’s preeminent bad-boy muckraker, its Carpathian morph of Godard and Hunter S. Thompson, Radu Jude lobs yet another holy hand grenade at the...
A Holocaust movie in the way a skull MRI is a mugshot, Jonathan Glazer’s film The Zone of Interest is a tribulation of evasion and restraint — in the best ways ...
Make no mistake, you’ve already seen the new Netflix-y murder-mystery-procedural Reptile — but why not watch it again? That is, if you haven’t written it your...
A grand, blustery mess of a would-be blockbuster, Gareth Edwards’s The Creator is all premise, all exposition, all the time. And yet you hardly ever know mu...
Larrain has become one of global film culture’s most capricious voices — brooding biopic here; ironic ethical-political nightmare there; movies that flit po...
The most seductive thing, or the only seductive thing, about the new Dracula riff The Last Voyage of the Demeter is its rather inspired B-movie concept — one th...
The primary visual stroke in Christopher Nolan’s Oppenheimer isn’t, as you might expect, a wow 8K CGI rendering of atomic-fission heat-death but super close-ups...
At first blush, a French zombie comedy directed by the guy who won an Oscar for directing The Artist, in 2011, sounds like four cats fighting in a bag — a hard ...
Wes Anderson is a uniqueness, and we should be thankful he exists. But what is he? With each film, he’s doubled down on his particular battery of obsessive idea...
Mary Harron’s Daliland struggles to find itself, amid a predictable arsenal of biopic cliches and actor-y impersonations. Given the deliberate outrageousness th...
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