Ernest Hardy

The 'Real' Deal

Although some American filmmakers still try to make movies inspired by something other than movies — stories born of some divine flicker, some pressing need to shine a light in a darkened corner — increasingly they are the exception. Armed with an aesthetic and a world-view that go no deeper......

Heroes, Villains and the Rest of Us

Photo by Alexander Abela WHAT CONSTITUTES SUCCESS WHEN IT COMES TO putting minority images on the big screen? Is it merely the fact that they're up there at all? Is it a preponderance of "positive" imagery that scrubs away any hint of stereotypical behavior, positing squeaky-clean heroes and heroines who'd......

Assimilation Strategies

AMERICA SO BEAUTIFUL BEGINS SANS IMAGE, with a darkened screen and the voices of two network anchors, Sam Donaldson and Ted Koppel, taken from a newscast in 1979. The men are discussing the Americans who were then being held hostage in Tehran. "It seems to me," says Donaldson, "that this......
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The Diva in Ms. Houston

As the Thunderpuss remix of Whitney Houston’s womanist anthemgay-boy club classic, “It‘s Not Right, but It’s Okay,” blasted through the speakers one recent night at La Plaza, the largely Latino queer crowd went wild, throwing their arms in the air and turning toward the stage in anticipation of drag-queen heaven......

Truth or Consequences

THE OPENING MOMENTS OF ANTWONE Fisher made my stomach sink in dread. A young, dark-skinned black boy stands in a sprawling green field, dressed in a dark suit, staring solemnly ahead at a massive barn. His hand is taken by a smiling adult who leads him through the field and......
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The Cute Ones

To watch Justin Timberlake‘s video for his single ”Like I Love You“ is to fall through the looking glass of a certain crumbling-faced, faux-mulatto pop icon; Justin’s the manchild Michael Jackson wants to see when he‘s talking to the man in the mirror. Tousle-haired, strategically scruffy and youthfully limber, Timberlake......

How Sweet It (Still) Is

IN GERRI HERSHEY'S CLASSIC OVERVIEW of American R&B, Nowhere To Run: The Story of Soul Music, Isaac Hayes is quoted as saying, "Now, it was the standard joke with blacks that whites could not, cannot clap on a backbeat. You know -- ain't got the rhythm? What Motown did was......

Biggie & Tupac (remix)

You can be the shit, flash the fattest five . . . Have the biggest dick, but when your shell get hit You ain't worth spit, just a memory --Biggie Smalls "You're Nobody ('Til Somebody Kills You)" THERE ARE TWO FORMIDABLE PRESENCES IN Nick Broomfield's deceptively rambling, shrewdly ragtag documentary......

Sight and Sound

By 1930, when Warner Bros. subsidiary Vitaphone Corp. finally stopped recording audio for the first talkies directly, and exclusively, onto phonograph discs, thousands of short films had used a technique whereby, as images were captured on film, the soundtrack was recorded separately onto shellac. Projectionists had to be careful, prior......

Free Radicals

”People were allowed to live at the end of their imagination,“ says one of the talking heads in The Cockettes, a fascinating, richly detailed documentary about the legendary queer collective based in San Francisco in the late ‘60s and early ’70s. The speaker is talking not so much about that......