The series continues with The Man With A Movie Camera (1929), Dziga Vertov's pioneering work using the “hidden camera” — an “ode to the city, to the machinery of modern life, to the rhythms of everyday people and to the visual splendor of movement.”

Wed., Jan. 21, 8 p.m., 2009

Advertising disclosure: We may receive compensation for some of the links in our stories. Thank you for supporting LA Weekly and our advertisers.