Steven Leigh Morris

Nicholas L. Ashe and Donovan Mitchell; Credit: Photo by Michael Lamont

Choir Boy Looks at Homosexuality in a Black Prep School (GO!)

At first, Tarell Alvin McCraney’s study of five, black prep-school students (Jeremy Pope, Nicholas L. Ashe, Donovan Mitchell, Grantham Coleman and Caleb Eberhardt), along with their stern headmaster (Michael A.Shepperd) and a visiting white professor (Leonard Kelly-Young) from the Civil Rights era, might seem schematic. The “group drama” about opportunity......
Tony Shalhoub and Brooke Adams in Happy Days at Theatre @ Boston Court; Credit: Photo by Ed Krieger

Happy Days and Cock Take on Love and Mortality (GO!)

Playwrights under 40 write mainly about love and politics, or so the adage goes; playwrights over 40 write mainly about death. By the time Samuel Beckett's Happy Days premiered in 1961, the great Irish bard was 55, which should make its subject fairly easy to guess. Originally a poet and......
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Two Plays Involving Fried Meat (Sort of)

Actor-playwright Keith Stevenson is one lucky fellow, having a top-flight ensemble to write comedies for; and having a director, Guillermo Cienfuegos, with such a sympathetic comprehension of the strands threaded through his humor; and, to top it all, being able to act in a pivotal role in his own plays......
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A Sex Play That's Not Really About Sex

Oh, sex: Can we ever get over it? And if we do, what will there be to write about? What would the state of the world be if it weren't largely defined by overt and subliminal sexual impulses? Ian MacAllister-McDonald's new play, The Sexual Lives of Savages, presented by Skylight......
Credit: Photo by Jessica Sherman Photography

A Star Trek Parody Meets British Bedroom Farce

Playwright-director Jonas Oppenheim is one clever, funny guy. Among his past treasures is a site-specific interactive/guerrilla performance piece, I’m Going to Kill the President, in which a prank call to the White House resulted in a police raid on the venue – was it real or was it theater? Oppenheim’s......
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Stupid Fucking Bird Is the Best Chekhov Adaptation in Two Decades

In Anton Chekhov's play The Seagull, about the theater and its ambiguous relationship to life, neurotic young playwright Konstantin Treplev speaks about the calcification of theater and of the necessity to create "new forms." As Treplev ages, he evolves and devolves into a long-suffering, modestly successful author of quasi-inventive plays......
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Mash-Ups of Classic Plays (Featuring Abba!)

There are no sly topical winks in Kenneth Cavander's problematic adaptation of the Oedipus trilogy. Cavander's new play, The Curse of Oedipus, which just opened at Antaeus Company, is pure classical gas. Nor are there any modern-day army fatigues or national insignias worn on shoulders in Casey Stangl's beautiful, skillful......
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The Brothers Size and Drop Dead!, Reviewed

Tarell Alvin McCraney's tender, poetical drama The Brothers Size (Fountain Theatre) and Billy Van Zandt & Jane Milmore's meta-theatrical farce Drop Dead! (presented by Theatre 68, at North Hollywood's NoHo Arts Center) share one salient commonality: Each production has moments when the actors recite stage directions about their own characters......