Angel City Jazz Fest: Anna Webber’ Simple Trio + Parlour Game

October 3, 2019


Anna Webber' Simple Trio+Jenny Scheinman & Allison Miller Parlour Game

Jenny Scheinman & Allison Miller’s PARLOUR GAME celebrates the popular roots of jazz. It honors the groove, the conversation, the game, and the women that made jazz a social music. It features four musicians that have been at the forefront of American music for nearly 20 years bending genres, creating new ways of playing, mixing it up. Now they get to groove.

Parlour Game was born on tour when Carmen Staaf and Tony Scherr were subbing for the piano and bass player in Allison Miller’s ‘Boom Tic Boom’. There was an immediate chemistry. “Even the edgiest material swung,” says Miller, “and we realized that we had found something really special. It felt so good!”

Scheinman and Miller met in Brooklyn in the early 2000’s. Scheinman had come from a rural roots background and was immersed in the downtown NYC music scene. Miller had come from DC swing and had a steady gig with Dr Lonnie Smith. Their insatiable curiosity and general gregariousness brought them into a variety of different genres. Scheinman formed a lifelong connection with Bill Frisell and wrote and released nine albums featuring some of the most innovative jazz musicians of our time such as Jason Moran, Brian Blade, Ron Miles and Nels Cline. She also dove headfirst into the roots world, touring with a number of iconic American artists such as Lucinda Williams, Rodney Crowell, Robbie Fulks, and Bruce Cockburn. Miller jumped on the Toshi Reagon bandwagon and joined Natalie Merchant’s band. She taught at the New School and worked with Anat Cohen, Rene Rosnes, Brandi Carlile, and Ani Difranco. She became the special guest drummer on Late Night With Seth Meyers.

Staaf and Scherr are also versed in numerous American genres, and share a deep respect for roots music. Staaf has worked closely with Herbie Hancock and Wayne Shorter, and Scherr has played extensively with Bill Frisell, Sex Mob and Maria Schneider. Scherr once described Staaf as “totally unpredictable, and totally reliable.” Seated quietly at her piano, Staaf opens up a magnificent world of harmony while Scherr follows from below, grounding her most outrageous revelations.

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All Ages


LA Weekly