Curated by Narei Choi (New York) and Nicolas Orozco-Valdivia (L.A.), Take My Money/Take My Body is a deft examination of the consumer/big data/performance/surveillance complex — specifically as it manifests in the global entertainment realm of K-Pop. Essentially deconstructing the purportedly progressive and futuristic aesthetic of freedom that K-Pop represents, the curators have chosen interdisciplinary works by artists from South Korea, China, Cuba, Spain and the United States that express not only the irrational exuberance of the genre but the similarities to populist political movements employing the same cultural strategies. Fanatical appreciation, irrational devotion, willing self-subjugation, blindingly bright colors, infectious tunes, specialized lingo — these are all fun and games, until someone loses to a fascist.
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LACE (Los Angeles Contemporary Exhibitions), 6522 Hollywood Blvd., Hollywood; opening reception Thu., Jan. 3, 7-10 p.m.; exhibit: Wed.-Sun., noon-6 p.m., thru Feb. 24; free. (323) 957-1777, welcometolace.org.