WonderCon migrates up from the O.C., Dave Chappelle gets back to the business of making us laugh, the 420 Games encourage a healthy high — and more awesome stuff to do in L.A. this week.
It seems odd to characterize anything Quentin Tarantino has made as a cult classic, so successful has the video-store auteur been throughout his career, but the man himself is on the record as considering Grindhouse's reception a disappointment. In a way, that may be fitting: The kind of movies to which he and co-director Robert Rodriguez were paying tribute were themselves consigned to dingy theaters, far from mainstream attention. A double feature in the style of old-school exploitation fare, Tarantino's Death Proof and Rodriguez's Planet Terror were conceived as a total experience, complete with trailers for nonexistent movies. New Beverly Cinema, 7165 Beverly Blvd., Fairfax; Wed., March 23-Sat., March 26, 7:30 p.m.; $8. (323) 938-4038, thenewbev.com. —Michael Nordine
Bring your Leeloo Dallas multipass to the Nuart, where The Fifth Element is this week's midnight movie. Luc Besson's sci-fi drama finds nearly everyone involved — Bruce Willis, Milla Jovovich, Gary Oldman, Chris Tucker and Besson himself — at their best; the director marries his maximalist aesthetic to an equally (but enjoyably) over-the-top story about preventing the end of the world. If you've never seen the film but have been to your share of Halloween parties, consider this a chance to discover the source of a certain white costume. Nuart Theatre, 11272 Santa Monica Blvd., West L.A.; Fri., March 25, 11:59 p.m.; $11. (310) 473-8530, landmarktheatres.com. —Michael Nordine
The Thin Red Line — which, just for the record, happens to be the greatest film of all time — screens at the Aero as part of the theater's weekend-long Terrence Malick retrospective. Each and every one of the five films that comprise the series is essential viewing, none more so than this evocative World War II drama featuring one of the most stacked ensemble casts ever assembled: Sean Penn, Nick Nolte, Jim Caviezel, Adrien Brody, John Travolta, George Clooney, Woody Harrelson, John Cusack and more — a reflection of how urgently almost every actor in Hollywood wanted to be in the director's first movie in 20 years. Aero Theatre, 1328 Montana Ave., Santa Monica; Sat., March 26, 7:30 p.m.; $11. (323) 466-3456, americancinemathequecalendar.com. —Michael Nordine
UCLA's sporadic, ongoing Archive Treasures program continues Celebrating William Cameron Menzies with a double bill highlighting the innovative production designer's work on Tempest and The Bat. Both dramas from the late 1920s will be shown on restored 35mm prints. Tempest traces a young Russian's journey from peasant to soldier to revolutionary, while The Bat is an atmospheric mystery whose eponymous criminal indirectly influenced the creation of Batman. Author James Curtis will be present to sign copies of his book William Cameron Menzies: The Shape of Films to Come, and Cliff Retallick will provide live musical accompaniment. UCLA's Billy Wilder Theater, 10899 Wilshire Blvd., Westwood; Sat., March 26, 7:30 p.m.; $10. (310) 206-8013, cinema.ucla.edu. —Michael Nordine
Leather Pride Week launches with a vengeance at Faultline with Glory Bound: L.A. Leather Pride 2016 Kickoff Party. Scads of hot cowhide-clad people descend on this venerable LGBTQI watering hole as host and nightlife maestro Mario Diaz conducts the proceedings. It all climaxes with the introduction of Mr. L.A. Leather contestants as they blaze into the parking lot for the motorcycle ride-in preceding the drawing of contestant numbers. Whether you're a leather daddy or a cub on the hunt, this afternoon's bacchanal is kink heaven. Faultline, 4216 Melrose Ave., East Hollywood; Sun., March 27, 3-7 p.m.; $10. (323) 660-0889, losangelesleatherpride.com/event/bound-for-glory-la-leather-pride-2016-kick-off-party. —David Cotner
Lest we forget about Easter — as if the drugstore candy section would let us — the Aero celebrates with a program of Bugs Bunny cartoon classics. American Cinematheque programmers had 167 original Bugs cartoons to choose from, and they picked a dandy selection of 15 seven-minute cartoons, from the seasonally appropriate "Easter Yeggs" to perennial classics like "Tortoise Wins by a Hare" and "Rabbit Seasoning," plus Oscar winner "Knighty Knight Bugs." There's also free Easter candy for all kids in attendance, because what would Sunday cartoons be without some empty calories? Aero Theatre, 1328 Montana Ave., Santa Monica; Sun., March 27, 4 p.m., $7-$11. (310) 260-1528, americancinemathequecalendar.com. —David Cotner
Elsewhere in weekend-long retrospectives hosted by the American Cinematheque, the Egyptian's Centennial Salute to Sterling Hayden marches on with a 35mm double bill of Johnny Guitar and The Asphalt Jungle. Hayden, an enduring icon of the screen, is flanked by great co-stars and guided by masterful directors in these two: Joan Crawford and Nicholas Ray in the elegiac Western Johnny Guitar, Marilyn Monroe and John Huston in Asphalt Jungle. Both are classics of midcentury American cinema. Egyptian Theatre, 6712 Hollywood Blvd., Hollywood.; Sun., March 27, 7:30 p.m.; $11. (323) 466-3456, americancinemathequecalendar.com. —Michael Nordine
The Museum of Broken Relationships began in 2006 when Croatian couple Olinka Vistica and Drazen Grubisic decided to publicly display the remnants of their breakup alongside items donated by other failed couples. The exhibit traveled to other countries, and in 2010, a permanent museum opened in Zagreb. The museum’s second permanent branch opens in the old Frederick’s of Hollywood store on Hollywood Boulevard in late May. In anticipation of its launch, the Ace Hotel hosts a preview of the exhibit, which will feature items accompanied by text. The museum’s website is currently seeking submissions. Upstairs at Ace Hotel, 929 S. Broadway, downtown; Mon., March 28, 8 p.m.; free with RSVP. brokenships.la. —Siran Babayan
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Orson Welles wrote, directed and starred in many movies, a number of which are more celebrated than Lady From Shanghai. But Welles is a filmmaker who rewards completism, with each new production beyond Citizen Kane revealing something new about what made him tick as both a director and a person. Welles' adaptation of Sherwood King's novel, which stars his then-estranged wife Rita Hayworth, concerns a nautical murder scheme that once again displays strong personalities getting in over their heads but not realizing it until it's much too late to change course. LACMA, 5905 Wilshire Blvd., Mid-Wilshire; Tue., March 29, 1 p.m.; $5. (323) 857-6000, lacma.org. —Michael Nordine
On March 14, Jeff Miller, the National Football League's executive VP of health and safety policy, finally admitted that there's a link between hard tackles and chronic traumatic encephalopathy, or CTE. That admission comes just as former USC running back Anthony Davis signs Kick-Off Concussion: How the Notre Dame Killer Recovered His Brain (Lulu, $19.95), his memoir about the concussion that almost pushed him over the edge — and the treatments that brought him back from the abyss. You'll hear Davis' truth about everything from gastric bypass surgery to the greatness of the game — and how winning the game of life remains his greatest victory. Eso Won Books, 4327 Degnan Blvd., Leimert Park; Wed., March 30, 7 p.m.; free, book is $19.95. (323) 290-1048, esowonbookstore.com. —David Cotner
Shipwreck is the creation of Casey Childers, Steven Westdahl and Amy Stephenson, who started the monthly, erotic fan fiction competition in San Francisco in 2013. Six local writers create adult fan fiction ranging from randy to smutty inspired by one great literary work, and their works is blind-read by Baruch Porras-Hernandez. Past books have included The Great Gatsby, Pride and Prejudice, Slaughterhouse-Five, Charlie and the Chocolate Factory, The Wind in the Willows and The Lord of the Rings. For Shipwreck's first local event, L.A. writers Carmiel Banasky, Nina Bargiel, Lauren Eggert-Crowe, Myriam Gurba, Zoë Ruiz and Matt Young tackle The Adventures of Sherlock Holmes. The winner gets bragging rights associated with having the dirtiest mind. Bootleg Theater, 2200 Beverly Blvd., Westlake; Wed., March 30, 7-8:30 p.m.; $12. (213) 389-3856, bootlegtheater.org. —Siran Babayan
When Chantal Akerman died last fall, she left behind one of the most revered bodies of work in modern world cinema. It's also radical enough to have rarely been seen in anything near its complete form. Chantal Akerman: Contre l'Oubli/Against Oblivion, a citywide retrospective being held at several venues over the coming weeks, seeks to remedy this. If you're a first-timer, there's no better place to start than with the Belgian filmmaker's debut, the massively ambitious Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles. The 3½-hour-long domestic drama consists almost entirely of a widowed single mother (Delphine Seyrig, luminous) going about her daily tasks in real time: peeling potatoes, bathing, earning extra money by entertaining male clients. That may sound tedious on paper, but in practice it's uniquely enthralling. Cinefamily/Silent Movie Theatre, 611 N. Fairfax Ave., Fairfax; Wed., March 30, 7:30 p.m.; $12. (323) 655-2510, cinefamily.org. —Michael Nordine