At a party at the True offices on Wilshire, three dudes have just finished pitching an app. They look like design students, with black vests and matching haircuts. One of them boasts that the founder had a chance to be the sixth employee at Instagram. But when the founder starts...
Perfect for those looking to stock up for Burning Man, there's the famous Venice Love Shack. With its cool, eclectic, weird, artist-community-meets-thrift-store-meets-yoga-studio vibe that epitomizes Venice Beach, the Love Shack is just one of those places you have to see to believe. Luckily, we took pictures. All photos by Star Foreman.
Even as the latest Step Up movie returns street dance to the screen, this year's installment of the annual J.U.i.C.E. Hip-Hop Festival returns street dance to the stage. The inventive dance organization with the unwieldy name of Justice by Uniting in Creative Energy has the good sense to go by its acronym, and the good sense to keep putting together this summer gathering of local and international street dancers. Now in its sixth year, the festival lineup promises a full evening of street-dance styles, with performers Jacob "Kujo" Lyons, Harry Weston, Breeze Lee, Emiko Sugiyama, Marie Poppins & Pandora, Toogie & Boogie Frantick, The Physical Poets, Lady Cultura, Millennium Dance Complex Tokyo, Open House, Versa-Style Next Generation, and Hok from Quest Crew. The preshow features one-on-one b-boy and b-girl battles at 7 p.m., with the final battle onstage just before curtain (to participate, go to fordtheatres.org/en/about/probreakingtour), as well as DJ Kenzo, host L. Scatterbrain, graffiti and spoken-word artists. Plus, Mari Koda, better known as Jenny Kido from the Step Up movies, will be there for a meet-and-greet. John Anson Ford Amphitheatre, 2580 Cahuenga Blvd. East, Hlywd.; Fri., Aug. 22, 8:30 p.m.; $30-$50, $15 students, $12 children. (323) 461-3673, fordtheatres.org.More
Just as organizations such as A/V Geeks and the Prelinger Archives have been busy digitizing Super-8 and 16mm home movies, instructional films, and other forms of celluloid ephemera, Everything Is Terrible (EIT) is dedicated to finding the most god-awful casualties of VHS and virtually every kind of media thereafter. Everything Is Festival is a series of public screenings showcasing some of the most mind-glowingly bad shit out there. This year's fun, five-day film fest, Everything Is Festival: The 5th Dimension, kicks off with EIT's very own Memory Hole, a visual assemblage of rejects from America's Funniest Home Videos, which offers a window into America during the last quarter-century. Ticketed presentations include the 1991 amusing atrocity Samurai Cop (with star Matt Hannon in person!) and the sophomore edition of The Most Outrageous Video Games. Other highlights: Barry Hansen aka Dr. Demento's favorite finds, as well as the Found Footage Battle Royale, a community invitational for anyone hankering to share their own funny and/or disturbing under-recognized gems. Cinefamily at the Silent Movie Theatre, 611 N. Fairfax Ave., Fairfax District; Thu., Aug. 28 to Mon., Sept. 1 (various showtimes); opening night free. All other screenings $12/$15, members free. (323) 655-2510, cinefamily.org.More
Hosted by Hart Pulse Dance Company, this annual fest, billed as L.A.'s largest dance festival, presents more than 60 dances in hip hop, ballet, tap, modern, tribal, contemporary, jazz, belly, and pole dancing. Each of the four shows has a different line-up, but some groups repeat. The opening show includes A.D.E., Katie Jane Hagen, Stella Melina, Hideen Entropy Movement Project, Hazel Clarke, Maha and Company, Kaleidoscape Dance, Samantha Loui & Cindy Sheng, Embark Dance Theatre, Jessica Harper, Elena Sophia Kozak, Compass Dance Company, OdDancity, Fuse Dance Company, and the host company. For the full festival line up and tickets: www.hartpulsedance.com.More
Ahoy, mateys! Get thee to ye olde Port of Los Angeles for Tall Ships Festival L.A., a five-day boating festival that pays tribute to a time when ports such as ours welcomed not just shipping containers and the occasional cruise ship but also majestic vessels called "tall ships" — classic boats with traditional, complicated rigs. From battleships to schooners to the World's Largest Rubber Duck (yes, really), this year's lineup promises something for everyone. The kid-friendly event includes a Friday-night screening of The Little Mermaid, projected on the sails of the Freda B. Live bands and cannon demonstrations will provide daily entertainment, while those willing to shell out some extra cash can actually ride on one of the museum-quality ships. And because every good captain knows a fed crew is a happy crew, plenty of food trucks, including the Lobsta Truck and Luckdish, will be in attendance. Los Angeles Waterfront, 250 S. Harbor Blvd., San Pedro; Wed., Aug. 20, noon-8 p.m.; Thu.-Fri., Aug. 21-22, 10 a.m.-8 p.m.; Sat., Aug. 23-Sun., Aug. 24, 9 a.m.-6 p.m.; $7-$85, free viewing for kids under 4. (877) 4FLYTIX, tallshipsfestivalla.com.More
fri 7/25 Dierks Bentley GREEK THEATRE For the better part of the past decade, Dierks Bentley has helped usher in a new era of country music. His catalog has spawned seven No. 1 hits on Billboard's Hot Country Songs charts and cemented his status as one of mainstream country's superstars...
Visual allure often isn't a virtue we value when chasing obscure flavors in L.A.'s international neighborhoods. In fact, adventurous diners tend to appreciate the opposite: The grungier the location, the more accomplished we feel for having sought it out. Looks be damned — let the fireworks happen on the flavor...
Little Tokyo in downtown Los Angeles became a ramen paradise over the weekend as part of the Japanese cultural festival Nisei Week. Everything was hot -- from the food, to the weather, to the scene. All photos by Danny Liao.
We've got so many restaurants, you could eat at a different joint every day of the year -- and probably the rest of your life -- and never go to the same place twice. It would be impossible (both physically and financially) to try them all, but luckily, you have us. Check out The Year in L.A. Food (So Far).
The little girl who appears to live at 2300 Silver Lake Blvd. has been playing cowboys and Indians. She's set up an all-out, hand-to-hand battle on the living room floor. Little figurines face each other. Some stereotypically shirtless Native Americans crawl along the carpet. A cowboy stands watching from the...
Emmy season is the perfect time to focus our attention on the beautiful costumes that make our favorite shows come to life. After all, what would Downton Abbey, Game of Thrones or Mad Men be without the costume designers who make those far-off worlds believable? Once a year, the FIDM Museum & Galleries' "Outstanding Art of Television Costume Design" exhibition gives these costumes the spotlight. Curated by Mary Rose, president of the Costume Designers Guild (as well as a governor of the Academy of Television Arts & Sciences, which presents the Emmys), the exhibit allows up-close and personal access to 75 designs otherwise only visible on the silver screen. Pick your favorites before the Emmys air on Aug. 25, or come back after watching the show to marvel at the winning designs. FIDM Museum, 919 S. Grand Ave., dwntwn.; Tue.-Sat., 10 a.m.-4 p.m.; thru Sept. 20; free. (213) 623-5821, fidmmuseum.org.More
Opening reception Aug. 22, 7-10 p.m.
"Neckface: Drinking on the Job" is a show a year in the making — and it sounds like one hell of a year. Inspired by the tenaciously seedy bar culture of his new hometown of L.A., this tagger/painter/phenom immersed himself in alcoholism (and related unsavory behaviors) for an extended bender, during which he somehow managed to work furiously on his art. The result: the dark, witty and hilarious pieces created for this much-anticipated installation. Using a method akin to the surrealists' automatic drawings, Neckface basically worked nightly in a fugue state, awoke to discover the surprises he left for himself in the studio the evening before, and then refined and elaborated on them before starting the process all over again. Well, maybe refined is not the word. Neckface is, after all, known for his exceptionally vulgar, sassy and sophomoric yet insightful observations on human nature — and his new barfly compatriots did not skimp on the material. New Image Art Gallery, 7920 Santa Monica Blvd., W. Hlywd.; Fri., Aug. 22, 7-10 p.m.; continues Tue.-Sat., 1-6 p.m., through Sept. 13; free. (323) 654-2192, newimageartgallery.com.More
Pin-up girls, beatnik boys and tiki lovers from L.A. and beyond made a splash at San Diego's Crowne Plaza Hotel, which hosted the annual Tiki Oasis event, this year themed "Beat Tiki" with a groovy "60s beat" thrust. The wild weekender took over the grounds with colorful cocktails, non-stop pool and room parties, fashion shows, seminars, shopping and live entertainment including burlesque, bands and more.
In honor of the 50th anniversary of Beatlemania the Flying Morgans had a Beatle prom this last Friday to celebrate Molly, Bonnie and Gary's Birthday with 400 of their closest friends. All photos by Star Foreman.
Jennifer M. Kroot’s To Be Takei is an affectionate portrait of the hardest-working member of the original cast of Star Trek, George Takei. That’s pronounced tuh-KAY, not tuh-KAI, as so many have misspoken it over the years, including but not limited to William Shatner, whose strained non-relationship with Takei —...
Should grown-ups be spending their time reading young-adult novels, at the risk of missing the supposed riches of fiction written for actual grown-ups? A recent essay in Slate groused about the legions of adults who long ago graduated from the 12th grade but still devour YA fiction at the expense...
Picture a high school civics teacher with a great love for Ken Burns and access to people like Prince Charles and the Dalai Lama -- but no ability to ask them interesting questions -- making his first documentary on a laptop's built-in software.
Martial arts period drama 14 Blades'cartoonish action scenes are so energetic that it's hard to believe they weren't directed by master choreographer Woo-ping Yuen (Crouching Tiger, Hidden Dragon; Drunken Master).
Vital and vigorous even when its characters feel scraped of vigor/vitality, Philippe Garrel's latest finds boho Parisians facing the ends of marriages, affairs, and the feasibility of bohemian existence itself.
Xiao long bao, or XLB, has long been a cultish food dish, the kind of thing people line up for, faces pressed against any available windows into the kitchen, watching the Chinese soup dumplings being made as they wait — patiently, hungrily — for their number to be called by...
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The sound of the theremin is the sound of another world — of the UFO landing or the spirits speaking or the mystery that won’t ever let itself be solved.
You’ve heard it even if you don’t know you’ve heard it, whether in the opening credits of some black-and-white sci-fi film (The Day The Earth Stood Still) or a Shostakovich composition or a song by the Pixies or the Rolling Stones. (And the theremin sound-alike in the Beach Boys’ “Good Vibrations.”) It’s that lonesome, warbling tone that’s come to signify a sort of pure sad strangeness at the edge of popular music. If you’re a certain sort of person, it might be the most powerful thing you’ve ever heard.
If so, you’ll understand the point of this Wednesday’s Moving Through Space Toward You at Largo at the Coronet, a celebration of the strange and even tragic sound—and history—of the theremin, with performances and dialogue from experimental indie band Califone, composer and thereminist Eban Schletter and more.
Where is the best place in the world to live? Scientists have conducted all sorts of studies to determine this, but one thing they've never done? Decide solely on the bands named after that place.
So, as usual, we're stepping in where science has failed. Under consideration below are music artists whose names are solely comprised of particular cities, states, countries or continents. (So, for example, "Japan" but not "Tokyo Police Club.") Also, no street names, or neighborhood names, or whatever. If we've forgotten anything, please let us know we're jerks in the comments section.
Kid Koala, Del the Funky Homosapien and Dan "the Automator" Nakamura
Thirteen years later, it's time to party like it's 3030 again.
A collaboration between Dan the Automator, Kid Koala and Del the Funky Homosapien released in 2000, the original Deltron 3030 was a peak for progressive underground hip-hop. The Cali-born Del and Dan and Vancouver native Koala teamed up for the critically acclaimed project that wound up developing such a huge cult following.
Finally, Deltron 3030: Event II, will come out October 1st, also featuring Joseph Gordon-Levitt, Black Rob, Zach de la Rocha, The Lonely Island and Mike Patton. The trio will be touring to support the album with a live orchestra, starting this Sunday at Rock the Bells. We spoke to Dan "the Automator" Nakamura about making a proper sequel and where this new live show will take them.
In the days of yore, you needed but a shoeshine and a smile to get a Grammy. You'd walk down to your local Grammy-grocer's and fork over a few wooden nickels, and the proprietor would even wrap your new award in butcher paper so it wouldn't get scratched on the way home.
Sadly, things are different now. Since the Great Upheaval of the '70s and '80s and the subsequent takeover by the National Academy of Recording Arts and Sciences, they're no longer just handing out those grammo-chromes anymore. Sadly, the process for determining who gets them have been locked away in secret bunkers for decades.
[Editor's note: Yesterday, we talked with Greg Graffin, front man for Bad Religion, whose new album True North was just released. Turns out, however, that Graffin, who has a freaking PhD from Cornell University, said too many smart things to fit in one post. And so ahead of their show tonight at the Echo, here he is talking about conflicts between science and religion, and how that relates to free will.]
"Recently we had this Mayan apocalypse. One of the things that all religions have is a narrative of doomsday. There has to be some kind of overarching fear of the future. If there wasn't, none of the religions could invoke this important thing -- that science has no evidence of by the way -- called free will.
For over 30 years, Bad Religion have carved out a niche as the thinking man's punk rock band. When they formed in Los Angeles in 1980, the inspiration for their lyrics came from the topic of corporate greed and the conflicts between philosophy, science, and religion. The band's 16th full-length album True North -- out today -- continues the band's lifelong exploration of these topics.
The future of music, says Los Angeles inventor Vince De Franco, will be hands-free. Instead of plugging in and tuning up in the conventional sense, musicians will engage various instruments with their minds. They will think the music.
"The research that's going on in terms of reading brain waves and eavesdropping on mind processes," De Franco tells us, "is moving from the medical realm into the realm of self-expression."
Why did the squeal of Jimi Hendrix's guitar cause girls to practically claw their way onstage? Why does the Psycho-like intro to Tyler the Creator's "Yonkers" inspire moshing? Why do furry-booted dubheads turn into a writhing mass during Skrillex's drops?
Researchers working at UCLA think they've determined why humans respond so strongly to this stimulus. It's because dissonance in music mimics distress cries in wild animals, which summons strong reactions. In other words, these artists literally bring out the animal in us.
Drew Bernstein, the creator of popular rock and roll clothing lines Lip Service and Kill City, was found dead yesterday of an apparent suicide by gunshot. His body was discovered on a hiking trail in the Hollywood Hills off of Mulholland Drive. He was 51. The L.A. native came up...
Are you a musician? Is your group having issues? Ask Fan Landers! Critic Jessica Hopper has played in and managed bands, toured internationally, booked shows, produced records, worked as a publicist and is the author of The Girls' Guide to Rocking, a how-to for teen ladies. She is here to...
Be sure to check out our constantly updated concert calendar! Monday, August 18 Smoke Season ECHOPLEX Gabrielle Wortman is best known as the voice of the electronic combo TEMP3ST, but when she’s paired with Honor Society keyboardist Jason Rosen in side project Smoke Season, she reveals newfound elements of folk...