"Yo!" A black man in a filthy, yellow, collared shirt lies sprawled out in the middle of the Sixth Street sidewalk, out cold. No more than four inches from his face is a Business Improvement District officer, who shouts again: "Yo!" "Is he breathing?" asks a woman passing by, worried...
On Saturday, spectators of all ages were out in multitudes on a beautiful summer night in Glendale to celebrate the 21st annual Cruise Night. Brand Boulevard, one of the main streets through downtown Glendale, was closed to traffic and lined with over 250 classic, pre-1979 cars. There was plenty of food to be had and many of the businesses on Brand stayed open late for the festivities The evening ended with fireworks and a 50th anniversary concert from The Kingsmen, who performed their ultimate party hit, "Louie, Louie." All photos by Jared Cowan.
The World Cup has taken Los Angeles by storm. With viewings beginning at 9 a.m., soccer fans have congregated at some of the best bars in the city including The Village Idiot, Goal, The Parlour on Melrose, Big Wang's and more. Whether they're cheering for their native country, favorite players or mourning the USA's loss, Angelenos have paid close attention to the Cup, showing that soccer is becoming more than a fad. All photos by Daniel Kohn.
The 11th annual "hybrid vision" New Original Works Festival at REDCAT debuts eight new pieces, a varied batch of multidisciplinary works by mostly early-career artists intent on shaking up creative traditions. For the first weekend of three, the festival kicks off with a bill featuring choreographer-dancer Wilfried Souly in Saana/The Foreigner, a solo to live music by multi-instrumentalists, while the Rosanna Gamson/World Wide dance troupe's Still interprets "the neuroscience of dreams." Finally, with a 20-member cast, a choir and chamber orchestra, Overtone Industries' ICELAND is an experimental opera/work of musical work conceived and directed by company main man O-Lan Jones in collaboration with singer-songwriter Emmett Tinley. REDCAT, 631 W. Second St., dwntwn.; Thu., July 24-26, 8:30 p.m.; festival continues through Aug. 9; $20, $16 for REDCAT members/students, $14 for CalArts students/faculty/staff; three-weekend festival pass $40. (213) 237-2800, redcat.org/event/nowfest-2014-week-one.More
Best known as the NOW Festival, the 11th annual celebration of new original dance and other performing arts opens with dancer Wilfried Souly collaborating with Senegalese Kora player Amadou Fall and multi-instrumentalist Tom Moose, choreographer Rosanna Gamson and her troupe World Wide with Still, and contemporary opera from Overtone Industries. Next Thursday, program II opens with Carole Kim’s multi-media work with dance by Oguri and Roxanne Steinberg, table-top puppetry by Marsian De Lellis and new dance and music by d. Sabela grimes. Program III closes the series with a new theatrical work by John Fleck and new dance by Ate9 dANCEcOMPANY.More
She is considered by many to be the reigning ballerina dancing today and he is equally stellar. Established stars in Russia, they left to guest with American Ballet Theater and others, mostly in the classical ballet. Originally scheduled for January with a classical emphasis, in the interim the program took on a more contemporary mode with works by big-name modern choreographers Sidi Larbi Cherkaoui, Ohad Naharin and Arthur Pita. On a prior visit, Osipova and Vasiliev were ferocious in a contemporary pas de deux. They don't just do tutus.More
Grab your dancing shoes and head downtown to join choreographers from So You Think You Can Dance for this year's National Dance Day. Founded by SYTYCD's Nigel Lythgoe and Dizzy Feet Foundation, its free events will have feet flying in several U.S. cities. In L.A., the Music Center is a co-sponsor for an all-day event inviting everyone, no matter their age or agility, to enjoy the chance to dance as the action moves from Grand Park to the fountains to the Music Center Plaza. But first! Go online (musiccenter.org/ndd) to learn the routines, which range from easy to advanced. Then on Saturday, starting at 10 a.m., join the dancing throngs in Grand Park led by Lythgoe and SYTYCD choreographer Chris Scott. At noon, cool down at the Grand Park fountain as Baby Loves Disco hosts a family-friendly dance party, or mosey over to the Music Center and spend the afternoon learning repertoire in specific styles from top-notch local companies including CONTRA-TIEMPO (urban Latin, from 12:15 to 1 p.m.), Lula Washington Dance Theatre (contemporary/Afro-Cuban, from 1:15 to 2 p.m.), and Culture Shock (hip-hop/street dance, from 2 to 3:15 p.m.). Now in its third year, the day brings so much fun, it's easy to forget that its goal is to highlight the health and wellness benefits of exercising through dance. Dancers know that already; National Dance Day lets the rest of us in on the secret. Grand Park, 200 N. Grand Ave., dwntwn., and the Music Center Plaza, 135 N. Grand Ave., dwntwn.; Sat., July 26, 10 a.m.-3 p.m.; free. musiccenter.org/ndd.More
fri 7/25 Dierks Bentley GREEK THEATRE For the better part of the past decade, Dierks Bentley has helped usher in a new era of country music. His catalog has spawned seven No. 1 hits on Billboard's Hot Country Songs charts and cemented his status as one of mainstream country's superstars...
The Sunset Strip burned up the music scene as Nico Vega launched their Lead to Light record release bash Monday night at The Roxy. Dark Waves played an amazing debut performance, while Queen Caveat broke open the the jammed packed club. Nico Vegas frontwoman Aja Volkman danced in the crowd, brought the party on stage, and painted dots on fans foreheads. Good times as always on the Strip! All photos by Michele McManmon.
It has all the elements of a tall tale told in a Mississippi barroom: Have you heard? Bob's wife went out to Los Angeles and says a restaurant there is serving Hoppin' John for $14!! Can you imagine? Naaaw. It couldn't be. Hoppin' John: that murky side dish found at...
Milo's Kitchen, a part of California-based Big Heart Pet Brands, is taking its homestyle dog treats on the road this summer with the "Treat Truck." The dogified food truck is making stops all over the country, ending up in New York early September. The truck stopped at Redondo Beach Dog Park Friday morning entertaining the pups with treats, a photo-booth and play zone. Milo's Kitchen Treat Truck offered samples of the line's six flavors, all with chicken or beef as the first ingredient, and all made in the U.S.A. with no artificial colors or preservatives. All photos by Nanette Gonzales.
On June 28th, more than 40 of L.A. and Mexico's hottest taco makers gathered at El Pueblo de Los Angeles downtown to showcase the best of Southern California's taco scene. Curated by the World's First Tacorazzo, Bill Esparza, Tacolandia attendees enjoyed music, drinks, a tequila tasting and of course, plenty of taco goodness. All photos by Anne Fishbein.
Prominently squatting near the head of a long bridge connecting an archipelago of four small islands to the mainland, Panama City's new Biomuseo looks from a distance like an abstract turtle painted in bright colors. As you draw nearer to the building, the fragmentation of the design becomes clearer, and...
If you know painter Joe Goode, who road-tripped to L.A. from Oklahoma in 1959 to make his go as an artist, you probably know his drawings of torn paper or paintings of blue skies. They're pretty nonchalant and usually modestly sized, so it's surprising to see how big and majestic the new paintings in his "Flat Screen Nature" show at Kohn Gallery are. They're two-tone expanses of color painted on sheets of fiberglass. Even though you could tumble right into those deep blues, Goode's still not taking himself too seriously. Every piece has weirdly ragged edges and the titles are jokes: Honk if You See Jesus for one with a ghostly shape near the bottom, or Coming Attraction for one that looks like a big-screen sunset. 1227 N. Highland Ave., Hlywd.; through Aug. 29. kohngallery.com.More
The first Queer Biennial is a national survey focusing on the current moment in out/queer/LGBT visual culture — a salient idea, and one that's sure to be expanded upon in the future. Though its curator, Ruben Esparza, and its first venue, Coagula Curatorial, are both L.A. institutions, the Biennial has elements planned for New York, Mexico and Europe and includes artists from the American West, East and Mid, and even a little bit of Canada. Contributions come from bondage-friendly photographer and director Rick Castro; jewelry designer and metalworker Angela Gleason; filmmaker, writer, photographer and mixed-media artist Bruce LaBruce; photocollagist and neon sculptor Lili Lakich; and portraitist, muralist and illustrator Miguel Angel Reyes. Musicians and performers include Themegoman, Crystal Powers and Devan M, along with photographer and indie-erotica provocateur Dave Naz; Austin Young, champion of transgender fabulosity in photography, performance, film and public spectacle; and conceptualist and curator Esparza, whose pun-laden mixed-media work mashes up commercial and alternative cultural signifiers. As you might expect, the exhibition (and related happenings both at the opening and during the July 26 Perform Chinatown festival) is provocative in its ideas and inclusive in its style, with artists sharing only a sensibility that Esparza describes as "not shying away from sexuality, identity, the body and all-around queerness." What you might not have anticipated? The familiarity and accessibility on display here. After all, the show is fundamentally just about the human experience. Coagula Curatorial, 974 Chung King Road, Chinatown; Sat., June 28, 7-11 p.m.; free. Exhibition continues Wed.-Sat., noon-5 p.m., through July 26. (424) 226-2485, queerbiennial.com.More
Ambassador of Americana Charles Phoenix and Dominic's Moonlight Rollerway in Glendale hosted a jubilee featuring skating stars and world champions performing in a variety of costumed musical acts. The best part? An post-show all-skate party! All photos by Star Foreman.
Philip Seymour Hoffman is an island of rumpled calm in Anton Corbijn's urgent A Most Wanted Man, a glum-out-of-principle espionage story based on a John Le Carré novel. The role demands that Hoffman be quiet, steady, occasionally frustrated, and that he hold secrets — often from us, which is a...
"The heart wants what it wants," Woody Allen has taught us, and apparently what his heart wants these days is not to have to bother with writing second drafts of film scripts. His latest, Magic in the Moonlight, plays like a sumptuous vacation, its stars larking about in 1920s finery...
At age 27, new Alice Cooper touring guitarist Nita Strauss is younger than many of the fans in the audience. But gigs playing guitar with acts as diverse as reunited ‘80s rockers Femme Fatale, video game tribute band Critical Hit, and Jermaine Jackson – yes, that Jermaine Jackson – have infused her with plenty of necessary experience for the task.
During a phone conversation from a tour stop in Wichita, the Santa Monica native gives the most credit to her time with The Iron Maidens for preparing her for the theatrics of an Alice Cooper performance. The all-female Iron Maiden tribute act’s own live show is also loaded with plenty of pomp.
“If I had not had the experience of playing with the Iron Maidens, playing for Alice would be more of a shock,” Strauss says. “Obviously Alice’s show is a much bigger production overall, but with The Iron Maidens I was still getting chased by [Iron Maiden mascot] Eddie onstage and dealing with CO2 cannons for many shows.”
While rock ‘n’ roll is necessarily classified as a form of pop music, it is actually an idiom whose radical, destructive primitivism established a new type of socio-cultural disorder. It’s about rejection of the status quo and celebration of the dis-imprisonment it instills.
Always exploited for profit, rock’s unmanageable aspects have been steadily diluted by a sinister, commercially driven course of revisionist myth-making. There is no acceptable role in the marketplace for radicals like Charlie Feathers, Poly Styrene, Lux Interior or Roky Erickson, but there’s always room for the homogeneous, money-hungry, play-it-safe phonies on this list.
These douchebags all have one thing in common — they screwed up rock ‘n’ roll, big time.
On the terrace of a historic Richard Neutra house in the hills overlooking West Hollywood, a bearded bartender in a black felt fedora uncorks another bottle of rosé and pours a glass for a guest. "You'll get ripe peach and lychee on the nose," he says. "Pairs well with pizza, light Italian food, seafood." Then he adds, somewhat unconvincingly, "I'm a beer guy, so rosé's my favorite."
Nearby, the wine's creator, Gerald V. "Jerry" Casale, is holding court, looking resplendent in a gray suit with matching creepers, a zebra-striped shirt and sunglasses with copper-colored lenses. As a member of the New Wave band DEVO, Casale has performed for millions, but he's clearly nervous in his new role as winery owner. When someone compliments the rosé, he laughs a little too loudly and declares, "Go try it with some goat cheese, it's even better!"
Neil Young conducted a master class on (North) American songwriting last night in Hollywood's sumptuous Dolby Theatre - you know, the place where they have the Oscars. It was the second of a four-night engagement.
The show was part of the Twisted Road Tour, a series of all-acoustic performances that started with four shows at Carnegie Hall in January. The "acoustic" part may have disappointed some: Young's erratic electric guitar parts on songs like "Cowgirl in the Sand" and "Cortez the Killer" were mainstays of many high-school air guitar repertories, and one never tires of those ridiculous one-note solos. But when the lights went down and Young walked on stage, minds were immediately changed.
This Saturday night, Neil Young plays the first of four shows at the Dolby Theatre. Over a half-century into his career, Young still packs 'em in. But while his contemporaries have mellowed with age, Young's never lost his grit. He even had a video banned by MTV at the height of the channel's popularity.
It's been 25 years since Young's This Note's For You album reintroduced him to an entire generation. While the album's known for its bluesy horns section, it's Young's potent shot at corporate-sponsored pop music that landed him in MTV's crosshairs.
Fact: Bruce Springsteen is an American hero. Also, a genius. Some people don't put him in the same category as Bob Dylan and Neil Young, just because he looks good in jeans.
That certainly shouldn't be held against him, and admittedly we're into that part, but mainly he's the best because of his classic albums, like Born in the U.S.A., which came out 30 years ago. Again, this album is somehow underrated, probably because it sold so many copies, but it's one of his best.
What a lot of people don't know is that there were three official dance remixes off of Born in the U.S.A. Seriously! Released in 1984 and 1985, they were produced by Arthur Baker, famous for his work with everyone from Afrika Bambaataa to New Order. They were an attempt to get the album some club play and expand the blue collar rock hero's fan base to a more diverse audience.
Linda Ronstadt, it was recently announced, will be inducted into the Rock and Roll Hall of Fame this year.
The song that made her a star was 1975's "You're No Good," which you can hear below. While it certainly contains an edgy vocal performance, and the record's atmosphere is sinuous to the point of being sinister, perhaps its most noteworthy part is its 33 second instrumental breakdown.
It's a thrilling, Beatlesque break, with a cool drum fill and a George Harrison-style solo, and it's the work of one man -- Andrew Gold.
On January 2, 1969 -- 45 years ago yesterday -- a young band out of London played L.A. on their first American tour. Their self-titled debut album had not yet been released, but the buzz around the group was solid, as their ranks included former Yardbirds member Jimmy Page.
That band was Led Zeppelin, of course, and everyone at the Whisky a Go-Go had quite a time. The show has become the stuff of legend, and last night L.A. Zeppelin cover band the Moby Dicks played the entire set, song for song, again at the Whisky.
New Jersey native Debra Rothenberg was 18 when she first photographed Bruce Springsteen in concert in 1980. (He was touring behind The River; she paid $30 for two scalped tickets that originally cost $8.50 each.) In the 33 years since, she has taken pictures of The Boss in concert at dozens of shows in the United States and Europe.
Rothenberg, a professional photographer who has shot for publications including Rolling Stone, Time, the New York Daily News and Q Magazine, recently released Bruce Springsteen In Focus: 1980-2012, a coffee table book containing her more than three decades worth of Springsteen images.
Here, in her own words, Rothenberg (whose favorite Springsteen album is Darkness On the Edge of Town, btw), tells the stories behind some of her favorite photos.
When I first sat down to type out this post, it was with the full intention of tearing the piss out of Babymetal. This trio of precocious teenage girls — average age is 15 — has become one of the hottest forces in metal thanks to techno-infused J-pop layered over metallic...
For the last several days, I have been in and out of Philadelphia, working on the show that never ends, 10 Things You Don’t Know About. We started about 80 days ago and are over 40 shooting days in, with a ong way to go. I get off easy compared with...
Be sure to check out our constantly updated concert calendar! Friday, July 25 Dierks Bentley GREEK THEATRE For the better part of the past decade, Dierks Bentley has helped usher in a new era of country music. His catalog has spawned seven No. 1 hits on Billboard's Hot Country Songs...