At a party at the True offices on Wilshire, three dudes have just finished pitching an app. They look like design students, with black vests and matching haircuts. One of them boasts that the founder had a chance to be the sixth employee at Instagram. But when the founder starts...
Perfect for those looking to stock up for Burning Man, there's the famous Venice Love Shack. With its cool, eclectic, weird, artist-community-meets-thrift-store-meets-yoga-studio vibe that epitomizes Venice Beach, the Love Shack is just one of those places you have to see to believe. Luckily, we took pictures. All photos by Star Foreman.
Even as the latest Step Up movie returns street dance to the screen, this year's installment of the annual J.U.i.C.E. Hip-Hop Festival returns street dance to the stage. The inventive dance organization with the unwieldy name of Justice by Uniting in Creative Energy has the good sense to go by its acronym, and the good sense to keep putting together this summer gathering of local and international street dancers. Now in its sixth year, the festival lineup promises a full evening of street-dance styles, with performers Jacob "Kujo" Lyons, Harry Weston, Breeze Lee, Emiko Sugiyama, Marie Poppins & Pandora, Toogie & Boogie Frantick, The Physical Poets, Lady Cultura, Millennium Dance Complex Tokyo, Open House, Versa-Style Next Generation, and Hok from Quest Crew. The preshow features one-on-one b-boy and b-girl battles at 7 p.m., with the final battle onstage just before curtain (to participate, go to fordtheatres.org/en/about/probreakingtour), as well as DJ Kenzo, host L. Scatterbrain, graffiti and spoken-word artists. Plus, Mari Koda, better known as Jenny Kido from the Step Up movies, will be there for a meet-and-greet. John Anson Ford Amphitheatre, 2580 Cahuenga Blvd. East, Hlywd.; Fri., Aug. 22, 8:30 p.m.; $30-$50, $15 students, $12 children. (323) 461-3673, fordtheatres.org.More
Just as organizations such as A/V Geeks and the Prelinger Archives have been busy digitizing Super-8 and 16mm home movies, instructional films, and other forms of celluloid ephemera, Everything Is Terrible (EIT) is dedicated to finding the most god-awful casualties of VHS and virtually every kind of media thereafter. Everything Is Festival is a series of public screenings showcasing some of the most mind-glowingly bad shit out there. This year's fun, five-day film fest, Everything Is Festival: The 5th Dimension, kicks off with EIT's very own Memory Hole, a visual assemblage of rejects from America's Funniest Home Videos, which offers a window into America during the last quarter-century. Ticketed presentations include the 1991 amusing atrocity Samurai Cop (with star Matt Hannon in person!) and the sophomore edition of The Most Outrageous Video Games. Other highlights: Barry Hansen aka Dr. Demento's favorite finds, as well as the Found Footage Battle Royale, a community invitational for anyone hankering to share their own funny and/or disturbing under-recognized gems. Cinefamily at the Silent Movie Theatre, 611 N. Fairfax Ave., Fairfax District; Thu., Aug. 28 to Mon., Sept. 1 (various showtimes); opening night free. All other screenings $12/$15, members free. (323) 655-2510, cinefamily.org.More
Hosted by Hart Pulse Dance Company, this annual fest, billed as L.A.'s largest dance festival, presents more than 60 dances in hip hop, ballet, tap, modern, tribal, contemporary, jazz, belly, and pole dancing. Each of the four shows has a different line-up, but some groups repeat. The opening show includes A.D.E., Katie Jane Hagen, Stella Melina, Hideen Entropy Movement Project, Hazel Clarke, Maha and Company, Kaleidoscape Dance, Samantha Loui & Cindy Sheng, Embark Dance Theatre, Jessica Harper, Elena Sophia Kozak, Compass Dance Company, OdDancity, Fuse Dance Company, and the host company. For the full festival line up and tickets: www.hartpulsedance.com.More
Ahoy, mateys! Get thee to ye olde Port of Los Angeles for Tall Ships Festival L.A., a five-day boating festival that pays tribute to a time when ports such as ours welcomed not just shipping containers and the occasional cruise ship but also majestic vessels called "tall ships" — classic boats with traditional, complicated rigs. From battleships to schooners to the World's Largest Rubber Duck (yes, really), this year's lineup promises something for everyone. The kid-friendly event includes a Friday-night screening of The Little Mermaid, projected on the sails of the Freda B. Live bands and cannon demonstrations will provide daily entertainment, while those willing to shell out some extra cash can actually ride on one of the museum-quality ships. And because every good captain knows a fed crew is a happy crew, plenty of food trucks, including the Lobsta Truck and Luckdish, will be in attendance. Los Angeles Waterfront, 250 S. Harbor Blvd., San Pedro; Wed., Aug. 20, noon-8 p.m.; Thu.-Fri., Aug. 21-22, 10 a.m.-8 p.m.; Sat., Aug. 23-Sun., Aug. 24, 9 a.m.-6 p.m.; $7-$85, free viewing for kids under 4. (877) 4FLYTIX, tallshipsfestivalla.com.More
fri 7/25 Dierks Bentley GREEK THEATRE For the better part of the past decade, Dierks Bentley has helped usher in a new era of country music. His catalog has spawned seven No. 1 hits on Billboard's Hot Country Songs charts and cemented his status as one of mainstream country's superstars...
Visual allure often isn't a virtue we value when chasing obscure flavors in L.A.'s international neighborhoods. In fact, adventurous diners tend to appreciate the opposite: The grungier the location, the more accomplished we feel for having sought it out. Looks be damned — let the fireworks happen on the flavor...
Little Tokyo in downtown Los Angeles became a ramen paradise over the weekend as part of the Japanese cultural festival Nisei Week. Everything was hot -- from the food, to the weather, to the scene. All photos by Danny Liao.
We've got so many restaurants, you could eat at a different joint every day of the year -- and probably the rest of your life -- and never go to the same place twice. It would be impossible (both physically and financially) to try them all, but luckily, you have us. Check out The Year in L.A. Food (So Far).
The little girl who appears to live at 2300 Silver Lake Blvd. has been playing cowboys and Indians. She's set up an all-out, hand-to-hand battle on the living room floor. Little figurines face each other. Some stereotypically shirtless Native Americans crawl along the carpet. A cowboy stands watching from the...
Emmy season is the perfect time to focus our attention on the beautiful costumes that make our favorite shows come to life. After all, what would Downton Abbey, Game of Thrones or Mad Men be without the costume designers who make those far-off worlds believable? Once a year, the FIDM Museum & Galleries' "Outstanding Art of Television Costume Design" exhibition gives these costumes the spotlight. Curated by Mary Rose, president of the Costume Designers Guild (as well as a governor of the Academy of Television Arts & Sciences, which presents the Emmys), the exhibit allows up-close and personal access to 75 designs otherwise only visible on the silver screen. Pick your favorites before the Emmys air on Aug. 25, or come back after watching the show to marvel at the winning designs. FIDM Museum, 919 S. Grand Ave., dwntwn.; Tue.-Sat., 10 a.m.-4 p.m.; thru Sept. 20; free. (213) 623-5821, fidmmuseum.org.More
Opening reception Aug. 22, 7-10 p.m.
"Neckface: Drinking on the Job" is a show a year in the making — and it sounds like one hell of a year. Inspired by the tenaciously seedy bar culture of his new hometown of L.A., this tagger/painter/phenom immersed himself in alcoholism (and related unsavory behaviors) for an extended bender, during which he somehow managed to work furiously on his art. The result: the dark, witty and hilarious pieces created for this much-anticipated installation. Using a method akin to the surrealists' automatic drawings, Neckface basically worked nightly in a fugue state, awoke to discover the surprises he left for himself in the studio the evening before, and then refined and elaborated on them before starting the process all over again. Well, maybe refined is not the word. Neckface is, after all, known for his exceptionally vulgar, sassy and sophomoric yet insightful observations on human nature — and his new barfly compatriots did not skimp on the material. New Image Art Gallery, 7920 Santa Monica Blvd., W. Hlywd.; Fri., Aug. 22, 7-10 p.m.; continues Tue.-Sat., 1-6 p.m., through Sept. 13; free. (323) 654-2192, newimageartgallery.com.More
Pin-up girls, beatnik boys and tiki lovers from L.A. and beyond made a splash at San Diego's Crowne Plaza Hotel, which hosted the annual Tiki Oasis event, this year themed "Beat Tiki" with a groovy "60s beat" thrust. The wild weekender took over the grounds with colorful cocktails, non-stop pool and room parties, fashion shows, seminars, shopping and live entertainment including burlesque, bands and more.
In honor of the 50th anniversary of Beatlemania the Flying Morgans had a Beatle prom this last Friday to celebrate Molly, Bonnie and Gary's Birthday with 400 of their closest friends. All photos by Star Foreman.
Jennifer M. Kroot’s To Be Takei is an affectionate portrait of the hardest-working member of the original cast of Star Trek, George Takei. That’s pronounced tuh-KAY, not tuh-KAI, as so many have misspoken it over the years, including but not limited to William Shatner, whose strained non-relationship with Takei —...
Should grown-ups be spending their time reading young-adult novels, at the risk of missing the supposed riches of fiction written for actual grown-ups? A recent essay in Slate groused about the legions of adults who long ago graduated from the 12th grade but still devour YA fiction at the expense...
Picture a high school civics teacher with a great love for Ken Burns and access to people like Prince Charles and the Dalai Lama -- but no ability to ask them interesting questions -- making his first documentary on a laptop's built-in software.
Martial arts period drama 14 Blades'cartoonish action scenes are so energetic that it's hard to believe they weren't directed by master choreographer Woo-ping Yuen (Crouching Tiger, Hidden Dragon; Drunken Master).
Vital and vigorous even when its characters feel scraped of vigor/vitality, Philippe Garrel's latest finds boho Parisians facing the ends of marriages, affairs, and the feasibility of bohemian existence itself.
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John Legend looked me straight in the eyes and told me he loved me last night, you guys.
Well, maybe he didn't mean me, personally, but it sure felt that way. On stage at the Greek Theatre, the R&B crooner seduced an entire audience of date nights and ladies' nights. From the very start of the show — string quintet, sudden spotlight on Legend in a silver suit, "Made to Love" — it was hard to avoid the communal fantasy in the air: each of us, alone with Legend, gazing, caressing, brushing a cheek with the back of a hand, living out that fast-forwarded love story at the beginning of the movie Up.
Two years ago DJ Alex Pall and producer Drew Taggart were pretty much unknown.
Yet when we talked to them earlier this month, the duo had just lunched with Tïesto in Las Vegas.
Pall and Taggart are better known as NYC-based EDM up-and-comers The Chainsmokers. They were one of our favorite acts at Hard Summer this year, and they're also the guys behind the hit song “#selfie," which hit #1 on Billboard's Hot Dance/Electronic Songs and has over 10 million Soundcloud plays. (You can hear it below.)
"#Selfie" is a joking ode to vapid club girls, comprised of a catchy beat over a Valley girl's drunk monologue. The song blew up because, well, everyone knows this type.
Are you a musician? Is your group having issues? Ask Fan Landers! Critic Jessica Hopper has played in and managed bands, toured internationally, booked shows, produced records, worked as a publicist and is the author of The Girls' Guide to Rocking, a how-to for teen ladies. She is here to help you stop doing it wrong. Send your problems to her — confidentiality is assured, unless you want to use your drama as a ticket to Internet microfame.
My band just embarked on our first three month tour, after being together only seven months. I know it sounds silly, but we must have angels because we've had a fair amount of success so far, and a lot of great press. Call it post-tour blues, but we just don't know what to do next. We have a lot of genuine fans who give us the "you will make it" speech, but I know how slim the chances are.
Our manager also happens to be our producer so we can record at any time. My questions: Do we record an album and distribute to stores? I'm the guitar player and composer, so do I get with the singer and write more? Do we need to work on our marketing or even try to get in touch with record labels? What about festivals? We just need some guidance because, as you can tell, I don't even know if I'm asking the right questions! -Theophilus
The first day of Berserktown on Friday was Babylon for underground music freaks. The fledgling festival's venue Los Globos felt like a place where no security guards or gentrifiers could extinguish the fire created by hardcore and noise artists from all over the country.
L.A. may have shut down the East 7th and the Church on York spaces earlier this year, but Berserktown was a giant middle finger to the establishment — but one that was completely legal. There's already talk of part two. But for now, we're still recovering from the first day. Here are some notes on our favorite sets:
Rolling a blunt is a complicated art. Compared to regular rolling papers for joints, cigar wraps (which are made from tobacco leaves) aren’t as wide, and they’re harder to bend. Rolling a blunt thus requires dexterity and serious hand-eye coordination. Opportunities to mess up abound.
Toke has been taught how to roll a blunt many, many times, but the skill never quite took. Still, we prefer blunts, which have several advantages over joints: They hit smoother and slower, and almost always taste better, even compared to the recent wave of “all-natural” rolling papers. So why does pretty much every dispensary in Los Angeles sell pre-rolled joints, but not a one sells pre-rolled blunts?
Smoke Season ECHOPLEX
Gabrielle Wortman is best known as the voice of the electronic combo TEMP3ST, but when she’s paired with Honor Society keyboardist Jason Rosen in side project Smoke Season, she reveals newfound elements of folk and Americana in her songs. Even so, Smoke Season aren’t strictly traditional rustic revivalists, juxtaposing eerie roots rambles such as “Badlands” with more ethereal, electronic-pop interludes such as “Opaque.” On the duo’s new EP, Hot Coals Cold Souls, Rosen crafts a shiny soundscape of dance-pop grooves and shifting electronics on such tracks as “Simmer Down,” where Wortman coos yearningly like a guileless and sincere version of Madonna. Since her 2006 solo debut, The Secret Life of Gabby, Wortman has taken parts of her myriad influences and reconfigured them each time into a newly pleasing, potentially commercial variation. —Falling James
In Canoga Park in January 1978, a young guitar player and singer named Terry Kath died of an accidentally self-inflicted gunshot wound. Joking around with a friend, Kath held what he thought was an unloaded handgun to his temple and pulled the trigger, Russian roulette style. But there was a single bullet in the chamber, and Kath died instantly. He was 31 years old.
Kath left behind one of the most successful rock bands in history, Chicago – a group that, at the time of his death, had released 11 consecutive platinum-selling albums, and would go on to release seven more. He also left behind a wife, Camelia, a two-year-old daughter, Michelle, and a complicated legacy that Michelle, now 38, is exploring in a forthcoming documentary, Searching for Terry.
Two years ago DJ Alex Pall and producer Drew Taggart were pretty much unknown. Yet when we talked to them earlier this month, the duo had just lunched with Tïesto in Las Vegas. Pall and Taggart are better known as NYC-based EDM up-and-comers The Chainsmokers. They were one of our...
Drew Bernstein, the creator of popular rock and roll clothing lines Lip Service and Kill City, was found dead yesterday of an apparent suicide by gunshot. His body was discovered on a hiking trail in the Hollywood Hills off of Mulholland Drive. He was 51. The L.A. native came up...
Are you a musician? Is your group having issues? Ask Fan Landers! Critic Jessica Hopper has played in and managed bands, toured internationally, booked shows, produced records, worked as a publicist and is the author of The Girls' Guide to Rocking, a how-to for teen ladies. She is here to...
Reignwolf performed to a sold out crowd at The Troubadour on Wednesday night at one point relocating an amp to the balcony during the encore. The Futures League opened the night. All photos by Timothy Norris.