See also: A History of Bass Music in Los Angeles
First, let's take it way back. This will be a little controversial, but seeing that the likes of Egyptian Lover saw a comeback during the late-aughts' "electro" phase, let's go there: Los Angeles was an epicenter of early hip-hop music made for break-dancing:
2 Live Crew's Miami bass music in the early 1980s actually has L.A. roots and came via an L.A. label. And Dr. Dre's pre-NWA project was known as the L.A. Dream Team. It produced up-tempo break-dance music for the head-spinners.
Add DJ Unknown and Egyptian Lover to the mix, and you had a full on electro explosion only a few years after the seminal New York track "Planet Rock."
Rave's late '80s hip-house era (Jungle Brothers, Mr. Lee, Wee Papa Girls, Coldcut) was welcomed in Southern California, and by the early 1990s the break-beat rave sounds of the Suburban Base and Moving Shadow labels, not to mention Aphex Twin ("Didgeridoo") and Prodigy, were rocking warehouse raves.
By 1994 the up-tempo breaks sound of U.K. rave culture was being called drum 'n' bass, and it found a home with local DJs such as Josh Swissman, R.A.W. and Machete, who played at raves far and wide.
That year U.K. drum 'n' bass artist Lemon D produced a track called "South Central L.A.," and the followed up in 1995 with, "This is L.A.," a track that samples NBC's Tom Brokaw saying, "This is Los Angeles, gang capital of the nation."
Indeed, the L.A. D&B scene could be surly, to say the least. The term "gangster ravers" was not an exaggeration.