You grew up in South Central, but your music has always had these other-worldly out-of-body elements. Do you feel growing up here shaped how you communicate with the universe?
Yes and no. It connected me to a lot of different people, but it wasn't getting me that voice back or that reception. What I'm doing here is like a representation for them cats who never made it but always had that outer voice of sound. South Central is another world within itself in Los Angeles. It's the center of it all. Most people run from the center, they run from the heart. It's why I use so much bass, it's the sound of the streets. It's all about that low-end. That bottom. I would always make a lot of different sounding music, but as long as it had that low-end element, it could connect to all those who couldn't understand everything else that's going on but at least they could say it's knocking.
You've had a longstanding interest in the concepts of space and time. What's one universal truth you wish more people were aware of?
Timelessness. The continuum of everything. Nothing's changed. Everything is the same thing over and over again. There's no time with this music we're doing, so keep it timeless. People are dealing with someone's else's time and not their own time. Once they're good with their time, it'll be their own thing. Once you're on your own time, you'll find out a whole lot about yourself with your creation and your process. You ain't gonna have no worries any more, keeping up with someone else's style. You'll be on your own style. I held this record for two years and it still feels good and speaks to me in a certain way. It still stands, it's timeless.