We kicked it with her a few times, including last month at the HMS Bounty in Koreatown. In a back booth, over glasses of red wine, she talked art, life, romance and her creative process. Here are some outtakes that didn't make the story.
On her influences:
"I've really come to love Tom Waits so much, his style and songwriting. I really admire him. Also Bill Callahan. I really appreciate his lo-fi aesthetic. Also a lot of early Pavement and Guided By Voices too. But especially as a woman, Cat Power and Joanna Newsom were examples, in a way, of how a contemporary female singer/songwriter and artist could be."
On first performing live:
"I started performing because I thought that if I was going to write songs, it was the next step. Most everyone tries their hand at songwriting and learning an instrument at some point, and I think the reason I didn't go into it earlier, despite all of my interest in the art form, is because I didn't see myself as a performer type. Getting to the point where I wanted to perform was less of, 'I really want to do this' than it was 'I need to do this because it's going to help me grow and I like them enough that I think I should share them.'
"I don't have [stage fright] that bad, but it is an effort for me. But there is a moment onstage where I feel like, 'Oh I'm so happy to be here and to be doing this,' and I relax and then afterwards it's a huge high. That's how it should be. It should be difficult."
On her time living in Savannah, Georgia:
"It's absolutely beautiful and very much mysterious. I was just about to release [debut album] Mantic and wanted to move to the east coast to try and tour because you can hit up more towns touring on the east coast.
"I was drawn to Savannah and it seemed like a wonderfully creative town. It was really kind of magical. I met lots of amazing friends and really the town as a whole kind of embraced me. I played out so much and was involved with so many people creatively and the local press gave me such love. It was kind of a dream scenario for a new artist."
On moving back to Los Angeles:
"I had lived in San Francisco before and really love it, but it's also sort of a difficult city to live in. It's cold and moody and very expensive, and I had already kind of done that. It was a great experience but it was also sort of a struggle financially. L.A., when I went to school here, always had sort of a crazy wild part in my heart. Even though there's wonderful art and cultural stuff happening in S.F., I felt that L.A. is a bit more wild, and you can be more anonymous."
On her current relationship:
"It was very strange for me to write this album about healing from past love, and then I moved to L.A. and had no romantic interests on the horizon. Sort of being a new girl in the city you kind of want to keep things open and focus on what you're doing and maybe making friends first, but I wanted to meet up with my friend who I went to UCLA with, and totally hit it off again so we've been dating since [the fall]. The album was written well before this happened. I just think it's so funny in the strange ways of the universe to deal with all of those past relationships and then have someone really amazing come along. I was like, "Okay thank you universe!" It's been very lovely."
On the concept of femininity in her music:
"It is difficult to be strong and yet feminine. That's definitely something very central to [the Lazarus project]. I hope that it comes out. I feel like women sometimes feel like they have to negate their feminity or suppress it whether at work or going about their day. That's what's lovely about art. You don't have to suppress anything.
"There's definitely the quality of a woman, as Lady Lazarus, embracing the vicissitudes of her emotions and her feelings, but she's also learning to control and channel them. Articulating and expressing them is powerful and exciting. That's definitely what this process has been for me."