The Best Los Angeles Jazz Concerts of 2012 | West Coast Sound | Los Angeles | Los Angeles News and Events | LA Weekly
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Year in Review

The Best Los Angeles Jazz Concerts of 2012

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Mon, Dec 17, 2012 at 3:30 AM

click to enlarge PHOTO: FARAH SOSA
  • Photo: Farah Sosa
5. Kamasi Washington

Footsies Bar, February 8th

Tenor saxophonist Kamasi Washington is a force, and stands as thick as a redwood, which is tough when he is blocking your way to the restroom and he happens to be blasting his horn at that time too. But add in Thundercat on bass, his brother Ronald Bruner on pummeling drums and keyboardist Brandon Coleman playing a pile of instruments and you have one of the best jazz/funk/soul bands to fit into a small space. The seething, sweating crowd was really feeling it as Washington rattled the velvet paintings off the walls.

4. Anthony Wilson/Larry Goldings/Jim Keltner

Blue Whale, April 11th

Every nerd with a pair of drumsticks tried to get a glimpse of rock drum legend Jim Keltner at the Blue Whale in April. Under the guidance of guitarist Anthony Wilson, Keltner, alongside organist Larry Goldings, played a breathtaking set that was all about patience and control. Keltner hovered in the back with his shades on, providing a spare but propulsive churn that few men would have the guts to leave so unadorned. It was a daring set amid a multi-faceted residency from Wilson. Rumors of a recording session have been running rampant ever since. Here's hoping.

click to enlarge hollywood_bowl_thumb_560x418.jpg
3. Miles Davis Tribute

Hollywood Bowl, June 27th

Jazz at the Hollywood Bowl is usually right down the middle. It's rare to be challenged by much on stage, but it's also rare to not enjoy yourself under the stars. For the Miles Davis tribute, between a straight-ahead, throwback set from Kind of Blue drummer Jimmy Cobb and a crowd-pleaser '80s homage from Marcus Miller, the amps were cranked for Miles' electric period. Guitarist Blackbyrd McKnight cut loose as Nicholas Payton filled the trumpet position with strength and attitude. The stage was loaded with wattage and they made the most of it. It was a pleasantly deafening assault that future jazz shows could learn from.

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