Parker and his bandmates grew up in Perth, an isolated Western coast city of Australia, which is also home to a booming scene that includes popular dance-rock acts Pendulum and Empire of the Sun. In the swanky VIP area at New York's Webster Hall, where Tame Impala decimated a sold-out crowd last Saturday, he describes his hometown as the kind of place where people are always saying, "I'm going to get out of here." From the title of his new album, one would expect the lyrics to be mostly about actual loneliness, but Parker disputes that.
"It's amazing how different people's perceptions of the album have been. Some people think I must have been really depressed, but a lot of people think it's much happier than the first album," he says. Elaborating on the title, Parker says it's more about feeling alone in a crowd of people rather than just being lonely, which is how he says he started to feel in Perth while penning Lonerism. With most of the album already written, Parker took off to finish it in Paris, where he also produced the first full-length from his girlfriend's band Melody's Echo Chamber and lived just around the corner from Serge Gainsbourg's former home.
Something of a Francophile, Parker delights in the close proximity to one of his favorite singer-songwriters' old haunts. Hints of the dewy pop style that Gainsbourg established can be found throughout Lonerism, particularly on "Sun's Coming Up," a moody piano ballad that finds Parker touching on the death of his father. Even more than the songwriting, the production on Lonerism maintains an uplifting, atmospheric feel, similar to that of Parisian duo Air, who Parker also counts as an influence. Talkie Walkie, he says, is one of his all-time favorite works. "There's something so clean about that album," he says, "but it still just fucks with your head."
The result of this combination of influences is a strident departure from Tame Impala's first album, but it takes a look beneath the surface to identify some of the key differences. Lonerism is poppier, yet somehow more experimental than the band's 2010 debut, Innerspeaker, released not long after Parker dropped out of college to pursue music full-time. Since the stakes weren't as high this time, Parker says he felt more freedom to take risks, particularly in regard to production and song structure.