Today, Born Too Late is considered an all-time genre classic. At a time when hair metal and speed metal reigned supreme in Los Angeles, the band took the classic Black Sabbath blueprint, slowed the riffs down even more and added a layer of punk rock grime, all while telling hopeless tales of fights against addiction and other internal demons. Earlier this year, metal fans embraced the release of the band's new album, Lillie: F-65, their first in 17 years. And tonight at the Bootleg Theater, the band will play to a crowd that will be much larger than the one in Palm Springs. The growth in their popularity is astonishing to Saint Vitus guitarist-founder Dave Chandler.
"It's very surreal. When we broke up in 1995, it was insignificant. In the time we were gone, doom metal became an accepted genre of music. Now we're considered one of the forefathers of the movement, so yeah, it's very...pleasant. Parents that were fans of us 20 years ago are bringing their kids now. I never thought that people would play our songs for their children."
In the 1980's, the band was a member of the SST Records roster. Home to legendary punk acts such Black Flag and The Meat Puppets, the Long Beach-based label took a liking to the outsider status that Saint Vitus carved out for themselves in the metal scene.
"In L.A. and Hollywood in general, we were the 'oddball' metal band," explains Chandler. "SST told us the reason they signed us was because we weren't playing the metal that was going on at the time. Before they got into punk, a lot of those guys were fans of Black Sabbath. We were definitely the oddballs on the label, but I think it worked out in our favor in the long-run, because eventually we were only doing punk rock shows and we became this weird underground band. We became this metal band that didn't do metal shows."