Entering rock photographer Henry Diltz's North Hollywood house feels like stepping into Merlin's cottage, if the wizard carried a Canon rather than a cauldron. Your eyes drift toward old papers, books and framed pictures, piled high and haphazardly. Finally, they settle on a vault of photo slides stacked to the ceiling, an archive of 45 years of rock music: 400,000 of them, alphabetized from America to Frank Zappa.
The 73-year-old Diltz was the official photographer at Woodstock and the Monterey Pop festivals. Among others, he shot Dylan, Hendrix, CSNY and the Rolling Stones. His blue, one-story bungalow is more treasure trove than home, with the evidence of a life vividly lived towering above you. And only half the collection is in plain site.
"We met with The Doors and asked, 'Do you have a name for the album?' They said no. 'Do you have a title or any ideas?' 'No.' Then Ray Manzarek said, 'My wife and I were driving around downtown L.A. the other day and we saw this old hotel that said Morrison Hotel," Diltz says, sipping a smoothie, sitting before a mound of notebooks and scraps of paper with scrawled titles and ideas.
An employee of the long-demolished downtown flophouse wouldn't allow the shoot without the owner's permission, but when the employee disappeared into an elevator, The Doors rushed into the lobby, where Diltz captured the image of seedy, nonchalant cool in just one hurriedly snapped roll. After the shoot, Morrison led the search for a bar nearby, which led them to the original Hard Rock Café -- a wino dive on Skid Row.