As John, Leitham started playing music in Pennsylvania as a teenager. He played the bass left-handed, already setting himself apart from most all other bassists not named McCartney. His nimble touch and hard-swinging lines eventually landed him work with West Coast luminaries like Gerry Mulligan and Joe Pass as well as long-term gigs with Doc Severinsen and the late Mel Torme.
In his late 40s, following a divorce from his wife, John Leitham pursued the physical change he had always desired. He then learned that many of those who had regularly hired John were uncomfortable sharing the stage with Jennifer.
"My art is a lot better but my career has suffered for it," says Leitham. "I can't rely on waiting for the phone to ring anymore. I have to try pretty hard. Unfortunately in the jazz world, [gender] is way too relevant. It comes from jazz coming out of the big band, swing era. There is still a lot of that behavior amongst musicians, locker room type stuff."
Understandably, Leitham was cautious when approached by documentarian Andrea Meyerson. "Initially, any interaction you have with the media can be problematic if they are not properly informed on the transgender subject," says Leitham. "I've been burned in the past, but I felt that she was very much an ally."
The two began filming in 2006 and wrapped up late last year. The response to the film was positive, and it won the Audience Favorite Award at the American Documentary Film Festival in Palm Springs and Best Documentary Feature at the Seattle Transgendered Film Festival in the last couple of months.