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Jamie King: Michael Jackson's Former Dancer on His MJ Cirque du Soleil Show

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Fri, Jan 27, 2012 at 3:30 AM
click to enlarge MJTIWT_OSA_IMAGES_5.JPG

See also: Our coverage of the bizarre Michael Jackson handprint ceremony

Some out there may believe Michael Jackson is still alive, but most of us suspect he'll never emerge from his coffin "Thriller"-style for a glorious comeback. Perhaps the next best thing, dance guru Jamie King has partnered with Cirque du Soleil for a new show, Michael Jackson The Immortal World Tour, which starts tonight at Staples Center and runs through the weekend.

King -- the King of Thrill! (see page three) -- started dancing for Jackson in 1992, and says that his show gets into "Michael's head." That said, he went out of his way to omit the controversial bits, though that's probably to be expected. If you can leave your cynicism behind, you can expect a dazzling menagerie of dancers, costumes, and theatrics. We spoke with King about the performance and his relationship with MJ.

click to enlarge Jamie King
  • Jamie King

How did you get to know Michael Jackson, and how did that help you create this show?

I had the honor of working Michael in 1992 on the Dangerous Tour as a dancer many years ago and that experience was invaluable. Without it I don't think I could have created the show I was able to create. Michael was one of my greatest teachers and he taught me how to produce and design and create the greatest live shows. Not only learning that from him but also being around him and watching him be a perfectionist.

How is this show unique?

Well I think it is that fusion between Michael's world, the rock world and Cirque. Imagine the greatest dancers and the greatest costumes and the greatest performers, but taken to another level -- as Michael would have imagined it if he had the opportunity to work with Cirque.The most important thing for me was to create the right environment--the environment that made sense for Cirque and Michael to meet. For me that was Neverland Ranch. Michael created Neverland as a kind of solace, an escape place where he could be an artist. When I went there, when I took my creative team there, I go, okay this makes sense. Then it all started to unfold. So for the audience, that's what they are going to feel is new and different--it's like Michael's world on steroids. [Laughs.]

Will we see any of Jackson's controversial side in the show?

I made an executive decision -- a creative decision -- to not really go there with dark times of Michael, because that wasn't the best way to honor him. For me this show needed to be a celebration of the man, his legacy, what he really gave to the world--how he inspired and influenced the world.

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