Skrillex - Cinespace - 1/24/12 | Page 2 | West Coast Sound | Los Angeles | Los Angeles News and Events | LA Weekly

Skrillex - Cinespace - 1/24/12

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Wed, Jan 25, 2012 at 9:28 AM

Page 2 of 3

Still, Skrillex's set has changed a bit since I last saw him at HARD Haunted Mansion last year. Though he never really stuck with one style, he seemed a little less focused on dubstep this time, playing around with more bouncy beats and working a good amount of hip-hop into his set.

A gorgeous, ethereal mix of Nero's dance floor staple "Promises" wove together nicely with a reworking of "My Name is Skrillex." Similarly, "Cinema," the Benny Benassi track that he remixed to much fanfare, offered a moment of respite in an otherwise intense set. Moving between his own tracks with some surprises like Flo Rida's "Good Feeling" (on the heels of the passing of Etta James, who is sampled on the track) and Fatman Scoop's "Be Faithful."

Alvin Risk warmed up the crowd right before Skrillex took the stage. I first caught the up-and-comer opening at Nero last December. He showed a lot of potential then, but, one month later and with a better time slot in a smaller venue, he turned up the star power. Risk has an adorable nerd look, wearing a pullover sweater and glasses, and enough dance moves to really hype up the crowd.

Also on the bill were Koan Sound and Dan Sena. When I talked to Skrillex for his L.A. Weekly cover story last September, he seemed really excited to be releasing Koan Sound's work on his own label, OWSLA. There's a good reason for that. The duo from Bristol, U.K. is one of the shining lights of the EDM scene right now. They play hard, hip-hop inspired beats with a dose of dubstep and a pinch of drum n' bass.

Dan Sena, a Southern California producer who has worked with Dim Mak, had the night's opening spot. He performed with a live drummer who was strong enough to make the light rig at the side of the stage shake. The set was interesting, but it seemed like there were technical issues with merging a live drummer with computer-based productions. In a nutshell, the drums consistently overpowered the rest of the music, sometimes to the point where you had to strain to catch the melodies.

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