Stanley Soble,1940 - 1999
|Photo by Jay Thompson|
There were eloquent appreciations from CTG artistic director Gordon Davidson and more than a dozen of Soble's colleagues and co-workers at the Taper, and from around the country. Philip Casnoff, Jennifer Leigh Warren, Eleanor Reissa and Camille Saviola provided musical tributes.
Soble's professionalism and charm commanded respect, but what really set him apart was his great love for actors, whom he was always eager to help, protect, fight for and encourage.
Soble died on July 6 following surgery for diverticulitis. Born in Richmond, Virginia, he began his career as an actor, appearing in the national touring production of Fiddler on the Roof. For a time he worked as an agent in the city, before joining the casting department of the New York Shakespeare Festival. At the Taper, his numerous assignments included casting Angels in America, The Kentucky Cycle and the repertory of Shakespeare plays, directed by Sir Peter Hall, currently running at the Ahmanson.
Of all the words spoken at the memorial, perhaps most stirring was a letter from Tony Kushner, the Pulitzer Prizewinning author of Angels in America: "The last time I saw Stanley . . . we were both watching a play . . . which we were both loathing, and since there has never been or ever will be a person born with whom it is more fun to share loathing than Stanley, the evening . . . felt entirely worthwhile . . . It gave me a chance to reconnect with a . . . man who, in the process of exploring his distaste and dismay, in his subtle and genteel and witty and bemused way, also made it luminously clear how much he loved that which the offending production had transgressed: the theater, the serious art of the theater . . . It all mattered very much to him . . . Stanley was a man of passion and taste, and decency and generosity; he was funny and brave . . . He was a marvel and a mensch and a lovely man . . . and he left way too soon."
Get the This Week's Top Stories Newsletter
Every week we collect the latest news, music and arts stories — along with film and food reviews and the best things to do this week — so that you’ll never miss LA Weekly's biggest stories.
More THEATER News
- Why We Love The Simpsons' Music So Much
Wed., Jul. 1, 8:30pm
Wed., Jul. 1, 10:30pm
Thu., Jul. 2, 7:00pm
Thu., Jul. 2, 7:00pm
- Salty Shakespeare, L.A.'s Elizabethan Flash-Mob Company
- Two Plays Involving Fried Meat (Sort of)