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| Photos by Ted Soqui |
Though the 26th annual L.A. Weekly Theater awards — with cabaret seating at a new venue, the Henry Fonda — got off to a late start Monday night, director Patrick Bristow staged a smooth show that clocked in at just over two hours. The ever-spirited Hollywood High School Marching Band kicked off the evening with their rendition of “I Got Rhythm” before a boatload of Groundlings alumni (including Paul Reubens, Cassandra Peterson, Julia Sweeney, Jennifer Coolidge, Laraine Newman, Cheryl Hines, Mike Hitchcock and Mindy Sterling) served as presenters, along with CTG’s Michael Ritchie. Betty Garrett’s sons, Andrew and Garrett Parks, introduced their mom, who, after receiving the Queen of the Angels Award, tap-danced off the stage with Marlo Tetwiler — the tap-dancing enforcer from Workshop 360 who tried, with mixed results and some abuse, to keep acceptance speeches to their designated time limit. A sketch by the Burglars of Hamm offered the theater community helpful hints of how to fulfill its unfulfilled potential: Charge $120 a ticket and work in theaters of not less than 1,000 seats. Open Fist Theater Company showcased two bitter excerpts from
The Threepenny Opera, currently in previews, which darkened up an otherwise lighthearted evening hosted by Powerhouse Theater Company. Attendance was about 550, of whom over 300 stuck around for a post-show party on the roof with plenty to drink and too little food.
What follows are the awards recipients. The show was dedicated to the memories of Quentin Drew, co-founder of the Watts Village Theater Company, and Aldrich Allen, co-founder of Sacred Fools Theater Company, both of whom died in April.
PRODUCTION OF THE YEAR Ouroboros, Road Theater Company
REVIVAL PRODUCTION OF THE YEAR (of a 20th-century work) Ma Rainey’s Black Bottom, RKA Productions at the Lillian Theater
DIRECTION Claude Purdy, Ma Rainey’s Black Bottom, RKA Productions at the Lillian Theater
COMEDY DIRECTION Christopher Kenney, Mommie Queerest, Cabaret Ultra Suede
ONE-ACT DIRECTION Frederique Michel, The Lesson, City Garage
ENSEMBLE Ma Rainey’s Black Bottom, RKA Productions at the Lillian Theater
COMEDY ENSEMBLE Stage Directions, Ensemble Studio Theater (The L.A. Project) at [Inside] the Ford
LEADING FEMALE PERFORMANCE Cynthia Ettinger, Self Defense, Actors’ Gang
LEADING MALE PERFORMANCE Morlan Higgins, Exits and Entrances, Fountain Theater
SUPPORTING MALE PERFORMANCE Richard Fancy, Rocket to the Moon, Pacific Resident Theater
SUPPORTING FEMALE PERFORMANCE Blaire Chandler, Self Defense, Actors’ Gang
SOLO PERFORMANCE April Fitzsimmons, The Need To Know, Sidewalk Studio Theater
COMEDY PERFORMANCE Leslie Jordan, Like a Dog on Linoleum, Elephant Asylum Theater
ONE-ACT PERFORMANCE Ayre Gross, Chekhov x 4 (“The Proposal”), Antaeus Company at the NewPlace Theater Center
PLAYWRITING Tom Jacobson, Ouroboros, Road Theater Company
COMEDY PLAYWRITING L. Trey Wilson, Stage Directions, Ensemble Studio Theater (The L.A. Project) at [Inside] the Ford
ONE-ACT PLAYWRITING Aaron Samson, Not Dead Yet, The Elephant Lab
CAREER ACHIEVEMENT Groundlings Theater Company
QUEEN OF THE ANGELS Betty Garrett
PRODUCTION DESIGN [Home] or the Quest for the Lost Tablet of Ur, Zoo District at the Lillian Theater
ADAPTATION Michael Franco, Heart of a Dog, Elephant Stage Works at the Lillian Theater
LIGHTING DESIGN Dan Reed, Abingdon Square, Open Fist Theater Company
COSTUME DESIGN Ronda Dynice Brooks, [Home] or the Quest for the Lost Tablet of Ur, Zoo District at the Lillian Theater
SET DESIGN (tie) Richard Augustine, Sperm, Circle X Theater Company at the 24th Street Theater
Joel Daavid, Ma Rainey’s Black Bottom, RKA Productions at the Lillian Theater
SOUND DESIGN John Zalewski, Self Defense, Actors’ Gang
FIGHT CHOREOGRAPHY David Holmes and David Paul Wichert, Sperm, Circle X Theater Company at the 24th Street Theater
MAKEUP AND SPECIAL EFFECTS Joe Seeley, Heart of a Dog, Elephant Stage Works at the Lillian Theater
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