One of the fascinating Angelenos featured in L.A. Weekly's People 2012 issue. Check out our entire People 2012 issue here. You could forgive Allison Anders' neighbors on her tree-lined street in Altadena for thinking she is just like them. Her house is pleasantly messy; her garden, a work in progre ... More >>
How Patricia Clarkson gets her groove back
COMPREHENSIVE THEATER LISTINGSNEW THEATER REVIEWSSTAGE FEATURE on Charles Duncombe's The Trojan Women and Julie Hebert's TreeNEW REVIEW GO THE WALWORTH FARCE​Photo by Pavel AntonovModern Irish theater is filled with three things: people holding other people hostage, people making up crap, and play ... More >>
Also, Between Love & Goodbye, Toyo's Camera and more
He lived the young man's dream in Spain; next, he directs Larry David in NYC and Puccini for L.A. Opera
Also, Elegy, The Sisterhood of the Traveling Pants 2 and more
Clearly inspired by Todd Haynes, Ira Sachs' film doesn't quite compare
With his kaleidoscopic Bob Dylan anti-biopic, the director takes a bold leap back to his avant-garde roots
Playing down on her luck, Amy Ryan’s star rises
Also this week's pick, Colma: The Musical
The intimate pleasures and necessary detachments of Toronto 2007
Sweet and savory fare — without the foam
“This is the best street in L.A.,” declares Eric Garcetti as we step onto Park Drive in the hills of Echo Park.
Zaillian and Penn can’t put Penn Warren’s political parable back together again
George Clooney tips his hat to Edward R. Murrow
Fragmented identities abound at Sundance 2005
Living with Dogville
Why this year’s Oscars suck more than usual
House of Sand and Fog looks good, feels wet
All the Real Girls and Gerry
Todd Haynes' postmodern tearjerker
Wendigo’s world of childhood terrors
Sean Penns The Pledge
High Art's glamorously seedy aesthetic
