With Greta Gerwig as his collaborator, Noah Baumbach shows a new lightness of touch
See also: *Top 10 Films of 2012 *More L.A. Weekly Film Coverage Most of the blathering this year about the death of the movies has already evaporated from the mind, like so much inert gas. But one gnomic pronouncement endures: Leos Carax describing cinema as "a beautiful island with a cemetery" fol ... More >>
For maybe the first hour of Yellow (written and directed by Nick Cassavetes, the man responsible for the national treasure that is The Notebook), I kept thinking about another film premiering here in Toronto, Frances Ha, co-written by and starring Greta Gerwig, and co-written and directed by Noah Ba ... More >>
The auteur answers critics who call him a sexually depraved narcissist
The film critics' poll
Roman Polanski, Martin Scorsese, Sofia Coppola and sex with garbage
Family time with indie darling Lena Dunham
Fighting life in LACMA's weekend series
Live Review: LCD Soundsystem at the Palladium
Jesse Eisenberg's excellent adventure
Rich-people problems but compelling ones in Nicole Holofcener's new feature
How do you go from In the Company of Men, to remaking The Wicker Man, to directing a Martin Lawrence/Chris Rock comedy? Neil LaBute explains himself
Yet fest still has fresh, experimental edge
Noah Baumbach goes West with his latest self-obsessed, unlikable protagonist
Noah Baumbach on the DIY ethos, L.A. without a car and his new film starring Ben Stiller and Greta Gerwig
A decade after Rushmore and The Royal Tenenbaums, Generation Y's anointed auteur tries for a comeback with Fantastic Mr. Fox
Actress makes compelling bad girl in pedestrian family drama
When good directors go bad
Annus mirabilis
Family matters in Baumbach’s latest
The intimate pleasures and necessary detachments of Toronto 2007
The World of Andrew Bujalski
For the week of April 21-27
In the best films of 2005, the past came back to haunt
Jeff Daniels comes into his own
Love and pain and the whole damn thing in The Squid and the Whale
Noah Baumbach (almost) grows up
Fragmented identities abound at Sundance 2005
Wes Anderson’s The Life Aquatic, Steven Soderbergh’s Ocean’s Twelve
A new generation of filmmakers translates Bill Murray
