Michael Haneke

Fast & Furious & Elegant: Justin Lin and the Vulgar Auteurs

Paradise: Love Review: Ulrich Seidl's Film About a Fateful Beach Vacation in Kenya Approaches Greatness

The Big Wedding is Vile, Racist, and Embarrassing

Brady Corbet Explains How A Nice Guy Became Simon Killer

Amour and More: How to See the Golden Globes' Five Foreign Film Nominees in Five Days

Our 2012 Film Poll: Movie Critics Nationwide Pick the Year's Best

Why Matthew McConaughey in Magic Mike and Besedka Johnson in Starlet Should Be Nominated for Supporting Actor/Actress Oscars

We'd Like to Help the Academy is our Oscar column highlighting the outliers that should be nominated (but probably won't be). For a long time I thought of Matthew McConaughey as an actor whom I liked more than he deserved. He built some good faith with Dazed and Confused and other early roles, yes ... More >>

20 Movies You Need to See at AFI Fest 2012

Telluride Film Festival: Noah Baumbach, Sarah Polley Bring New Films

Compliance Director Craig Zobel on Why People Do Crazy Things Just Because They're Told To

Cannes Film Festival 2012: Highlights and Lowlights

Cannes Film Festival: The Korean Woody Allen, and an Iranian Game-Changer

After operating at maybe 75 percent of its potential for almost its first full week, on Sunday the Cannes Film Festival kicked into full auteurist gear, with the premieres of three formally audacious new works from three contemporary international art film stars: Michael Haneke's Amour (which we alr ... More >>

Cannes Film Festival: Michael Haneke's Amour

80-something couple George (Jean-Louis Trintignant) and Anna (Emmanuelle Riva), former music teachers with one adult daughter (Isabelle Huppert), are comfortably settled into their senescence together in a not-small and yet claustrophobic Paris apartment. One morning at the breakfast table, Anna goe ... More >>

Oscar-Nominated Bullhead and Michael at Cinefamily

Your Weekly Movie To-Do List

Melies, Minnelli and Huppert x 2

Learning German From Michael Haneke

Sautéed chicken breasts over fascism, from the director of The White Ribbon

YOU VIL NOT LAUGH

Movie Reviews: The White Ribbon, Gigante, The Loss of a Teardrop Diamond, 3 Idiots

Panic, Despair and Revolution

Yet from industry turmoil, great films arose

End of the Decade: Alien Nation

Notes on unseen masterpieces, great performances, and movies as a form of solitary confinement

AFI Fest 2009: What if Movies Were Free?

A changing film world — and hard times — means comp tickets

AFI Fest, A to W

Our critics' picks - and pans - from this year's free festival lineup

Apocalypse Maintenant: Last Week at Cannes

AFI Fest: High School Confidential

Cutting class with Afterschool director Antonio Campos

Movie Reviews: The Edge of Heaven, The Foot Fist Way, The Strangers

Also, Blindsight, Hollywood Chinese and more

Reflections on Haneke; Cinema Cynicism

Also, Obama's rightward tilt, Rothchild's "Divorce" and McDonald's "Skid Row"

Michael Haneke Will Be Your Mirror

Don't blame him if you don't like what you see

Funny Games People Play

Michael Haneke and his brutal home invaders return to implicate you

Movie Reviews: Alvin and the Chipmunks, Look, The Perfect Holiday

Also Lagerfeld Confidential, Man in the Chair and The Protagonist

Agent Provocateur

Michael Haneke over America

Come Back Into the Dark

Silent Movie Theatre’s Cinefamily is a gym for the mind

The Stasi Who Came in From the Cold

Listening in on The Lives of Others

Film Reviews

Including this week's pick, Cavite

Four Films by Michael Haneke

C for Castration

Some Candy is harder to swallow than others

Bad Religion

Roger and Me

Scott Foundas responds to Ebert’s critic-bait

Histories of Violence

In the best films of 2005, the past came back to haunt

Whistling in the Wind

Our readers write

What Lies Beneath

Michael Haneke wakes the comfortably numb

The Best of the Rest of the Fest

Our critics’ picks from the final weekend of AFI Fest 2005

The Impossible Dream

A map to the most buried of cinematic treasures

The Man With the Golden Camera

Cannes 2005: The verdict is in

No Justice? No Kidding

Todd Solondz on being stuck with who you are

Tales from the Vienna ’hood

Dog Days and the New Austrian Cinema

The Year in Film

Isn't It Romantic?

LaBute's Possession may be; Chabrol's Merci Pour Le Chocolat's anything but

Epiphanies

Music Drill

The Piano Teacher strikes sparks of submission

Wounds That Heal

Art and history at the 54th Cannes film festival