Subject:

Jane Campion

  • Film+TV

    September 17, 2009

    Bright Star's Tone Poem

    Jane Campion films John Keats' great love affair

  • Film+TV

    August 20, 2009

    Quentin Tarantino Serves Up Hitler's Head in Inglourious Basterds

    Mr. Blood Red, Vol. 2

  • Film+TV

    November 29, 2007

    Savage Love

    Testing the limits of familial bonds, one nursing home at a time

  • Film+TV

    November 8, 2007

    AFI Film Fest 2007: Behind the Man Behind the Scenes

    Man of Cinema raises the curtain on a little-known movie giant

  • Film+TV

    September 13, 2007

    The Brave One: Femme Fatal

    Foster dishes out rough justice

  • Blogs

    September 9, 2007

    Lust, Yawn, Caution

    There is a famous story about actor-director Erich von Stroheim that goes something like this: Cast as Rommel in Billy Wilder's 1943 Five Graves to Cairo, Stroheim was given a prop Leica camera as part of the character's wardrobe and proceeded to demand that the camera have film in it. When Wilder a ... More >>

  • Film+TV

    May 17, 2007

    The Two Faces of Cannes: Gilles Jacob

    Eye of the storm

  • Blogs

    April 23, 2007

    Let the Sunshine In

    Last Thursday morning in Paris, the lineup was announced for the 60th edition of the Cannes Film Festival. The announcement was made by Cannes artistic director Thierry Frémaux during a press conference held in a gilded and mirrored salon of the Hotel de Crillon, located on the Place de la Co ... More >>

  • News

    December 21, 2006

    What, Him Worry? (Why Yes, Actually)

    For Argentine director Daniel Burman, life is a movie

  • Blogs

    September 3, 2006

    Le Pierre

    There may be no single person who better embodies the Telluride spirit than Pierre Rissient, a lifelong cinephile who has attended Telluride for nearly all of its 33 years and whose resume is as varied as the mountain climate. One of the storied film buffs who inhabited the hallowed halls of Henri L ... More >>

  • Stage

    August 24, 2006

    Sex, God and Little Armenians

    Generational divides, from Hollywood to NYC

  • Film+TV

    October 30, 2003

    Misplaced Persons

    In the Cut’s Jane Campion does New York

  • Film+TV

    September 25, 2003

    Master, Old and New

    One way to Toronto 2003

  • News

    September 18, 2003

    Pale Fire

    The quiet determination of Sofia Coppola

  • Art+Books

    June 5, 2003

    The Critic

    James Wood on literary fervor, bad movies and his first novel, The Book Against God

  • Calendar

    June 5, 2003

    The Critic

    James Wood on literary fervor, bad movies and his first novel, The Book Against God

  • Film+TV

    January 2, 2003

    The Year in Film

    James Wood on literary fervor, bad movies and his first novel, The Book Against God

  • News

    December 26, 2002

    Beautiful Dreamer

    Lynne Ramsay’s Morvern Callar

  • News

    November 21, 2002

    The Misfits

    Four killer producers on the cutting edge of independent film

  • Art+Books

    November 2, 2000

    Babes in Armor

    The women of Hollywood

  • Film+TV

    October 5, 2000

    Canada Semi-dry

    The Toronto Film Festival turns 25

  • Film+TV

    January 27, 2000

    Wholly Jane

    Jane Campion on her new movie and other mysteries

  • Stage

    January 6, 2000

    Marx's Family, Galileo's Daughter and Socrates' Dog

    A few of our favorite reads this year

  • Stage

    January 6, 2000

    What It Was

    A few of our favorite reads this year

  • Stage

    January 6, 2000

    Meltdown Music

    The best of '99

  • Columns

    December 23, 1999

    Between the Waves

    The best of '99

  • Film+TV

    December 9, 1999

    The Body Never Lies

    Films from Jane Campion and Michelangelo Antonioni

  • Film+TV

    September 30, 1999

    Lethal Weapon

    Catherine Breillat's philosophy of the bedroom

  • Film+TV

    October 22, 1998

    Crying Freedom

    Jonathan Demme's beautiful Beloved

  • Art+Books

    July 23, 1998

    Anglo Pop

    Helen Fielding's Single Woman

  • Film+TV

    June 11, 1998

    Mad as Hell

    Peter Weir turns on Jim Carrey

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