Film Reunites Simon Pegg and Edgar Wright, the team behind Hot Fuzz and Shaun of the Dead
Actor reteams with Blue Valentine director for The Place Beyond the Pines
Jaw-dropping news came down around noon Park City time Monday, when Sundance issued a press release confirming that Bingham Ray -- indie film legend, co-founder of seminal '90s indie distribution outlet October Films and current executive director of the San Francisco Film Society -- had died. Ray, ... More >>
Your Weekly Movie To-Do List
Sacha Baron Cohen is The DictatorWe know -- you're excited about The Dark Knight Rises. And The Avengers. And Hunger Games. So are we. We're also excited about a lot of other movies whose marketing campaigns have not inundated us with white noise (yet). Allow us to suggest a few more films to ... More >>
Cary Fukunaga does goth romance right
Outfest's satellite fest celebrates people of color
Anton Corbijn turns the tried-and-true thriller inward
Self-hating or just everyone-hating? The Coen Brothers aim their contempt at MOTs
​Although the official start of Fall is still a couple of weeks away, Hollywood's Autumnal Equinox is already upon us, as the books are closed on the 2009 summer movie season and the curtain goes up on the Toronto International Film Festival, the still-humid summer air starting to hum with the fir ... More >>
WALL-E would never get out alive in director Shane Acker's postapocalyptic hellscape
Ang Lee's latest cranks up the amp on faux '60s nostalgia
New Skin For the Old Ceremony
Dave Eggers and Sam Mendes de-evolutionary road movie
Wandering Spain with Jim Jarmusch's lone wolf
Through the looking glass:
"Will everyone be wearing black?" a friend asked over dinner the other night when the subject arose of my imminent departure for the 2009 Sundance Film Festival. "I'm so glad I'm not going to Sundance," confided one longtime film publicist at this week's Los Angeles Film Critics awards dinner, as if ... More >>
"Will everyone be wearing black?" a friend asked over dinner the other night when the subject arose of my imminent departure for the 2009 Sundance Film Festival. "I'm so glad I'm not going to Sundance," confided one longtime film publicist at this week's Los Angeles Film Critics awards dinner, as if ... More >>
Mo' money, more Hugh, less Jerry
Biopic recaptures Californian intolerance at exactly the right time
Remarkably consistent, the Coens make another mockery
(Annual rant)
As "English" as tea and toast, this mainstreamed movie has its eye on a global market
Martin McDonagh's sightseeing hit-men flick isn't much of a trip
Who's sorry now?
Terry George’s latest comes with plenty of reservations
An accessible narrative belies something much darker in Cronenberg’s Eastern Promises
Chick-flick genre to Evening: Why you gotta make us look bad?
Phillip Noyce harvests the seeds of revolution in Catch a Fire
An American hero shows his dark side in Hollywoodland
Rian Johnson’s suburban noir
Horror filmmaker Eric Red crashed his Jeep, killing two. Then he slit his own throat. That was only the beginning
Riding the range with Ang Lee’s lovelorn cowboys
In the new Pride & Prejudice, Jane Austen’s most celebrated heroine continues to bedevil suitors and filmmakers alike
The Constant Gardener journeys into sub-Saharan Africas heart of darkness
Jim Jarmusch and Wong Kar-wai look for love in all the wrong places
Pawel Pawlikowski’s My Summer of Love
Mira Nair’s colorful travesty of Vanity Fair
Growing up with Charlie Kaufman
At Sundance, indie film thrives — in spite of the “hot” industry tips
REDCAT redefines independent, 21 Grams weighs (down) the soul
In America So Beautiful and Deliver Us From Eva
Todd Haynes' postmodern tearjerker
LaBute's Possession may be; Chabrol's Merci Pour Le Chocolat's anything but
