Passing time and finding a new pragmatism in the movies of the 00s
A changing film world and hard times means comp tickets
​Maybe it was the phalanx of real-life roller derby girls high-fiving everyone at the entrance to the Ryerson Theatre, or perhaps the irrepressibly perky Drew Barrymore just touches a particular sweet spot in the hearts and minds of the Toronto Film Festival's unapologetically positivist, always-h ... More >>
Old money meets a new world in Olivier Assayas' latest
Glimmers of hope in concentration camps, industrialized ghettos and the refuse of a barren planet
Coming soon to a theater, er, HDTV near you
The little robot that could tops another chart
Student-teacher power struggles
The actress on her new film, A Christmas Tale, and her long, glorious non-career
Arnaud Desplechin comes home for the horror days
The French director digs into the DNA of human relations
No, Er, Yes, Doubt
Che wins the only Cannes prize that really matters: ours
And a lot of big heads too
Mike Tyson, Jerzy Skolimowski, Terence Davies and more
Reflecting its moment, the festival takes a decidedly serious tone
... and the strange logic of the modern world
Before AIDS had a name, and after
Chatterley adaptation makes the orgasmic organic
Elia Kazan, with a smile
Peace on Earth and way too much goodwill in Joyeux Noël
Notes on the pleasures of kiddie moviegoing and weeping into your stir-fry
In the best films of 2005, the past came back to haunt
The box-office slump of 2005 is a reality, regardless of what language you speak
An interview with Arnaud Desplechin
Arnaud Desplechin’s Kings and Queen mixes high and low culture
Jacques Audiard’s not-so-beautiful losers
The 53rd Cannes film festival
French cinema battles Hollywood’s global movie offensive
Foreign-film distribution
Olivier Assayas' Late August, Early September
Some notes on movies and their critics
