Improv Olympic Creates a Comedy Festival That's...Scripted? | Public Spectacle | Los Angeles | Los Angeles News and Events | LA Weekly
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Improv Olympic Creates a Comedy Festival That's...Scripted?

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Mon, Mar 25, 2013 at 3:31 PM

click to enlarge Cast of Monster Party, winners of the Sketch Cage Match at the 1st Annual LA Scripted Comedy Festival on the iO West Theater Mainstage - RANDALL MILLS
  • Randall Mills
  • Cast of Monster Party, winners of the Sketch Cage Match at the 1st Annual LA Scripted Comedy Festival on the iO West Theater Mainstage
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Over the weekend, Improv Olympic became a Scripted Olympic. From Thursday through Sunday, Hollywood's iO West Theater hosted its first annual L.A. Scripted Comedy Festival, featuring a collection of talent from across the country showcasing sketch, variety, storytelling, stand up and short films.

The event marked a departure from the improvised comedy that defines iO. According to James Grace, the coordinator of SFC, this venture was an organic evolution for the theater.

"iO West has had an explosion of sketch, solo, storytelling and stand up shows over the last year," explained Grace during a pre-festival interview. "So featuring all the talent at this theater in L.A., and across the country, seemed like a natural progression. The industry is always looking for product and scripted comedy is the best way to consistently showcase talent."

click to enlarge Comedian Kevin Farley headlining at the SCF. In honor of his brother, proceeds from the festival will be donated to the Chris Farley House charity. - RANDALL MILLS
  • Randall Mills
  • Comedian Kevin Farley headlining at the SCF. In honor of his brother, proceeds from the festival will be donated to the Chris Farley House charity.

While SFC inked a new chapter in the story of iO, it also embraced the theater's rich history. Over the years, Improv Olympic has boasted comedic talents such as Tina Fey, Amy Poehler, Seth Meyers and the late Chris Farley, an old friend of Grace's. This inaugural iteration of the festival honored the latter by naming the Chris Farley House as its official beneficiary. A percentage of the SFC's revenue will be donated to the charity's residential treatment program for substance abuse, located in the late comedian's hometown of Madison, Wisconsin.

Besides its philanthropic elements, SFC also supported aspiring comics. Winners in the competitive categories of Stand Up, Sketch Cage Match, 24 Hour Sketch, Story Telling, and Video Shorts -- voted on by audience members -- were awarded with coveted stage time at both iO and Comedy Central Theater. (Full list of winners below.)

click to enlarge Travis Cohen, winner of SFC's Stand Up Competition, receiving his horse's ass-adorned trophy - RANDALL MILLS
  • Randall Mills
  • Travis Cohen, winner of SFC's Stand Up Competition, receiving his horse's ass-adorned trophy

Travis Cohen, the SFC's first ever stand-up champion, won a statuette of a horse's ass, as well as the privilege of opening for headlining veteran comedians TJ Miller, Wayne Federman and Kevin Farley, Chris' brother. Cohen contributed his success to his positive attitude and refined material, factors that helped him quash his coarser, less experienced opponents during Friday's preliminary round.

"I feel that I brought an energy to the room that the rape and abortion jokes preceding me just didn't provide," said Cohen during an interview following Friday's win. "You can be funny without being shocking just for the sake of shock. I was happy to perform and I think it came across. It's like would you be more engaged by a teacher that didn't put much into a lesson or a teacher that makes learning fun?"

Fortunately for the also-rans looking to hone their skills for future contests, SFC offered a series of comedy writing workshops over the course of the weekend. Jean Villepique, an alumnus of the Second City comedy institution whose credits include Up All Night, 30 Rock and The Office, was courteous enough to allow this writer to sit in on her seminar entitled "Something From Nothing."

Designed to develop a writer's unique voice, the two-hour class consisted of a series of free-writing drills emphasizing nonjudgmental thinking. At one point, a student about to share the results of one of these exercises began by apologizing, "I don't know if I did it right." Villepique flashed a reassuring smile and explained, "Its not up to me to judge. As long as its helping you do what you need to do."

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