Whether it is with images of airliners crashed in the forest; roller coasters gone amuck; whales beached among buttes; colossus statues crumbling; ships run aground in the desert; or trashy trailers in the middle of nowhere, Kelly McLane has for years been crafting a view of a world — and sometimes specifically America — in trouble. While those past images have always afforded a certain distance from the mess — suggesting a kind of David Lynchian or Cormac McCarthian underbelly we know is all around us, one that we can avoid if we don’t go looking for it; or a post-apocalypse that we know is coming down the pike in some form but with a few miles to go — McLane’s latest... More >>>