It has been said that the true measure of any drama is the degree to which it implicates its audience. If so, British playwright Mark Ravenhill's unflinching 2006 flaying of artistic pretense must be judged a harrowing and hilarious triumph. Though the target of Ravenhill's satire is "the Group," a close-knit circle of nameless, 30-something artists, his subject is the corrosive yet universal human reflex of envy at the success of even the... More >>>