In Joshua Schmidt and Jason Loewith's adaptation of Elmer Rice's 1923 satire of accountants slaving for The Man in cubicles, a shlub named Zero (Clifford Morts, in a marvelously cantakerous turn reminiscent of the late Carroll O'Connor) eagerly awaits some reward on the 25th anniversary of his hiring. Instead, he's fired, having been replaced by an adding machine. Rice's play was written before the days of pensions and labor unions and the kinds of post War labor protections that, incidentally, accompanied the most robust economic boom this country has every experienced. It was also written five years before the Great Depression. It now arrives as almost all those protections have been swept away, and our economy teeters precariously once more cursed by economic conditions and employment practices that in so many ways, resemble those of 1923.
Yet neither the play nor this musical adaptation is primarily about economics, but rather about metaphysics, which would explain director Ron Sossi's fascination with it. The operatic, often dissonant and percussive music has almost no melody, which is exactly right in a story that drives a spike through the heart of sentimentality and romance. Zero's wife is a hideous, jealous, nagging monstrosity that would be the character, not Kelly Lester's spirited interpretation that contains echos of Angela Lansbury. The colleague who loved Zero unrequitedly (the marvelous Christine Horn) joins him in the after-life. For the way God really works, and the way dead souls are recycled, you have to see the show. Sossi directs a strong production, though with minimal silk drops representing the afterlife, it didn't look much different from the drab life herein. That minimalism does subvert the moral joke. Patrick Kenny's musical direction strikes nice balances between the onstage band and the singers. The actors just need to settle in and push out the fun they're already having. Odyssey Theatre, 2055 S. Sepulveda Blvd., W.L.A.; Thurs.-Sat., 8 p.m.; Sun., 2 p.m. (Feb. 27 perf at 7 p.m.) thru March 20. (310)... More >>>