Childhood sexual abuse may no longer be the unmentionable topic it once was, but that hasn't lessened its horror or salved the terrible scars borne by its victims. Powered by blistering performances, Gordon Edelstein's direction, playwright Dael Orlandersmith's one-act pivots around a confrontation between an unrecalcitrant alcoholic named Claire (Khandi Alexander) and her two grown children. Twins Leah (Tessa Auberjonois) and Steven (Tory Kittles) have both been maimed by a dark and baneful past. At Leah's bequest, the three meet after a five-year separation in an airport motel room a sterile environs (designer Takeshi Kata's tidy set) that contrasts sharply with the histrionic outpourings that soon follow. Leah's motive for summoning her mother and brother is to purge the obsessive rage that consumes her; in her recollection both had physically and/or sexually abused her. That recollection doesn't jibe with her brother's memory of things, nor with her mother who claims her own victim status and insists it was she who tried but failed to protect Leah from her pernicious,...
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