LIKE VIDAL . . .
Re: The Last Defender of the American Republic [July 511]. Thank God the Weekly had the courage to publish Marc Coopers revealing interview with that grand old lion of the left, Gore Vidal. Had the Weekly failed in this regard, I might never have known that the United States planned to occupy Afghanistan in October, and Osama, or whoever it was who hit us in September, launched a pre-emptory strike. Holy Osama (or whoever it was)! Gore must have some remarkable sources not that Cooper could be bothered to ask about them.
Last defender indeed. So this is what the American left has become in the wake of 9/11: a purveyor of imbecile conspiracy theories that have all the resonance (and intelligence) of Holocaust denial. If nothing else, 9/11 has managed to close the circle between the wackos of the left and the right.
If Gore Vidal didnt exist, would writers like Marc Cooper in the interest of getting some laughs have to invent him? Vidal may score points in some quarters for his cute style, but as a pundit he has a dismal record. Over the years, his conspiracy theories have grown as wacky as any talk-show hosts, and his anti-Semitism has become so vile it rivals that of fellow bigot Pat Buchanan. If Vidal is still defending anything, its his right to make an ass of himself and become famous doing it.
Im savvy to the fact that you published the Gore Vidal feature not because Mr. Vidal has a breathlessly vast geopolitical insight based primarily on his ability to make stuff up for money. You published it because, well, hes Gore Vidal. As you noted in the same issue, Vanity Fair was about to publish the homophobic rants of Mike Ovitz, and I can guess that, again, this had little to do with his insight into gay psychology and more to do with the fact that, hey, hes Mike Ovitz. Thats cool. Im a critical reader, and I can form my own opinions about whether or not two celebrities have diced squid for brains.
I just wanted to voice my support for the skeptical approach that David Corn took in his fine To Protect and To Spin [June 1420], which so nicely debunked conspiracy peddler Michael Ruppert. We all have a framework of myths weve constructed in our heads Mr. Vidals is rivaled only by Watts Towers and its nice to ground them once in a while with facts and evidence, and humor. I need less of the This man says we faked the moon landing, tonight on Fox! and more Carl Sagan.
I read the Gore Vidal interview with some interest. Sure, some of his comments seem nutty, paranoid even, but his critique of interventionist American foreign policy is spot on. Bravo!
Then I practically choked on my martini when I saw that Vidal accuses right-wingers of hating blacks and other minorities. Thats pretty rich coming from a man who recently wrote an essay (The Last Empire, in The Last Empire: Essays, 19922000, Doubleday, 2001) advocating that the United States, Canada, Europe and Russia form a northern confederacy of white nations as a defense against the nonwhite hordes. A textbook case of the pot calling the kettle African-American.
FORM TRUMPS CONTENT
Re: The Eminem Show CD review by Oliver Wang [June 1420]. In an issue devoted to exploring the question Is rock criticism dead? I find it ironic that you couldnt find a rap fan to review Eminems new CD. Notice that I did not say hip-hop fan I know Wang is a hip-hop fan because Ive read his work in the Weekly many times. But just once Id like to read what a rap fan thinks of rap music in the pages of your magazine.
Wangs review reminds me of the review the Weekly gave for N.W.As Efil4zaggin more than a decade ago. Back then, the issue wasnt how good the album was in the wake of Ice Cubes departure, or whether Dr. Dres production skills had improved, or whether Eazy-E was funny or just annoying. The review focused on the groups misogyny and glamorization of violence, and its effect on an ever-growing young white audience which were valid issues 10 years ago, when an N.W.A album was truly a new and shocking experience. Since then, weve heard about it so many times from critics that it has become redundant.
Wang has good points to make about the tedious nature of the new CDs beats, but ignores the fact that this new CD is largely produced â by Eminem himself, which would explain why the beats are so tedious in the first place. Ive heard the whole CD, and the Eminem-produced tracks are okay at best; Dres tracks, by comparison, leap out from the speakers.
The week the CD came out, I was listening to it with a friend at my apartment. Two girls came by, and when they heard the CD blaring from the speakers, one girl asked if the CD was good. My roommate and I had just finished debating its merits. I asked her if she were a rap fan yes, she said. I asked her if she were an Eminem fan again, she replied in the affirmative. I told her that shed like the lyrics, but the beats were lackluster. She thanked me for my opinion and went on her way. She didnt ask me if I thought Eminem was a sexist or a homophobe; she just wanted to know if she should shell out close to $20 on a CD.
My suggestion: In the future, get a rap fan to review rap music.
DONT KISS ME, GUIDO
Re: Nikki Finke on Michael Ovitz [Vanity Too Fair, July 511]. Finke wants to know why Vanity Fair writer Bryan Burroughs didnt challenge Michael Ovitz for his complaints about a Gay Mafia undermining Ovitzs entertainment career. What I wonder is why Ovitz was ever working in Hollywood to begin with. Books such as William Manns Behind the Screen and films such as The Celluloid Closet exhaustively document that gay people have had a heavy influence at all levels of the entertainment world since Hollywood as an industry began, around the beginning of the 20th century. If Ovitz finds homosexual people offensive, fine. But why did he get into the entertainment business? It is tantamount to opening a business in South-Central Los Angeles and creating a hostile work environment for black and Hispanic employees. And one would think Ovitz, being Jewish, would have more compassion for oppressed people. It makes no sense from any perspective.
THE OLD ONE-TWO
Dear Brendan Bernhard: Thoroughly enjoyed your series on the World Cup. Not to boast, old chap, but back in May I did pick Brazil-Germany to come in one-two, though admittedly erred on show (Argentina).
Unfortunately I couldnt find a bookie. Would you be willing to share yours?
Great column! By the way, the Brazil side played the German Democratic Republic side on June 26, 1974, in a non-finals match. So they have met before.
In last weeks Slush column, we misidentified the first name of the Disco Teorema artist, which is Keith, not David.
Get the This Week's Top Stories Newsletter
Every week we collect the latest news, music and arts stories — along with film and food reviews and the best things to do this week — so that you'll never miss LA Weekly's biggest stories.